Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Jane with an Apple - André Derain
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£28.00 GBP
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£28.00 GBP
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Beschrijving
A portrait of the artist's wife, Jane, painted in a restrained, classical style with a focus on volume and light.
André Derain painted this portrait of his wife, Alice Prin, known as Jane, during his post-Fauvist period. By this stage in his career, Derain had moved away from the radical colour experiments of his youth, adopting a more restrained, classical approach. The composition features Jane positioned behind a table, holding a single piece of fruit, while a bowl of pears and additional fruit rest on the surface before her.
The painting is characterised by a sombre, controlled palette. The deep, dark background creates a sense of isolation, pushing the figure forward into the light. Derain employs a smooth, deliberate application of paint, which contrasts with the more gestural brushwork seen in his earlier works. The lighting is focused, illuminating Jane's face and the fruit, while leaving the surrounding space in shadow. This use of chiaroscuro gives the work a sculptural quality, reflecting Derain's interest in the traditions of Old Master painting.
Jane's expression is neutral, her gaze directed away from the viewer. The inclusion of the fruit on the table suggests a still-life element, bridging the gap between portraiture and domestic scene. The composition is balanced and orderly, with the horizontal lines of the table providing a stable base for the figure. The fabric draped on the table adds a tactile element to the scene, breaking the rigidity of the arrangement. This work demonstrates Derain's return to traditional forms and his exploration of volume and space, which occupied much of his output during the 1920s. It remains a representative example of his shift toward a more conservative, yet highly refined, aesthetic.
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Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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- Giclée-print van museumkwaliteit voor rijke, kleurvaste kleuren
- Archiefbestendig mat fine-art papier, FSC-gecertificeerd
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- Lijsten in zwart, naturel hout, donker hout of wit
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Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
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Jane with an Apple - André Derain
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Andre Derain
Derain and Matisse spent the summer of 1905 painting together at Collioure, on the French Mediterranean coast. The canvases they produced, shown at the Salon d'Automne that autumn, prompted the critic Louis Vauxcelles to call them les Fauves, the wild beasts. A movement was born from one insult. Derain was twenty-five.
He was born in Chatou in 1880 and had originally studied to become an engineer. He met Matisse in 1898 while attending painting classes under Eugene Carriere. The Fauvist paintings are explosions of unnatural colour: trees in orange, water in violet, shadows in green. They were among the most radical works produced in Paris at the turn of the century.
By 1908, Derain was already breaking with the style. He turned to Cezanne, then passed through a Cubist phase, and by the 1920s had arrived at a fully Neoclassical manner. The wildest of the Fauves became one of the most conservative painters in France. The conservative turn brought financial success and mainstream praise. During the Second World War, the Nazis approved of his Neoclassical work. After the war, he was unjustly accused of collaboration. His reputation never fully recovered. He died in 1954.
He was born in Chatou in 1880 and had originally studied to become an engineer. He met Matisse in 1898 while attending painting classes under Eugene Carriere. The Fauvist paintings are explosions of unnatural colour: trees in orange, water in violet, shadows in green. They were among the most radical works produced in Paris at the turn of the century.
By 1908, Derain was already breaking with the style. He turned to Cezanne, then passed through a Cubist phase, and by the 1920s had arrived at a fully Neoclassical manner. The wildest of the Fauves became one of the most conservative painters in France. The conservative turn brought financial success and mainstream praise. During the Second World War, the Nazis approved of his Neoclassical work. After the war, he was unjustly accused of collaboration. His reputation never fully recovered. He died in 1954.
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Fine Art Framed
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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