Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Hanamurasaki of the Tamaya - Kitagawa Utamaro
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£28.00 GBP
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£28.00 GBP
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Beschrijving
A refined ukiyo-e woodblock print by Kitagawa Utamaro, depicting the courtesan Hanamurasaki with her young attendants in the Yoshiwara district.
This woodblock print by Kitagawa Utamaro depicts the high-ranking courtesan Hanamurasaki of the Tamaya house, accompanied by her two young attendants, or kamuro, named Shirabe and Teriha. The work belongs to the series Snow, Moon and Flowers in Yoshiwara (Seiro setsugekka), a collection that explores the refined atmosphere of the pleasure quarters in Edo-period Japan. Utamaro is recognised for his mastery of the bijin-ga genre, which focuses on the depiction of beautiful women.
In this composition, Hanamurasaki is shown seated, engaged with a book or document, while one of her attendants stands behind her holding a large, rectangular box. The figures are rendered with the elongated proportions and graceful, sweeping lines characteristic of Utamaro's mature style. The artist employs a balanced use of negative space, allowing the focus to remain on the interaction between the figures and their attire. The patterns on the kimonos are executed with precision, demonstrating the technical capabilities of the woodblock printing process.
The colour palette is restrained, relying on soft earth tones, muted reds, and subtle greens to create a sense of harmony. The print captures a quiet, domestic moment within the structured environment of the Yoshiwara district. By focusing on the daily activities of these women, Utamaro provides a glimpse into the social hierarchies and aesthetic values of the period. The inclusion of the series title and the names of the subjects in the cartouches provides historical context, identifying the specific individuals portrayed. This print serves as an example of the sophisticated collaboration between the artist, the carver, and the printer, which defined the production of ukiyo-e prints during the late eighteenth century.
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Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
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Hanamurasaki of the Tamaya - Kitagawa Utamaro
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Kitagawa Utamaro
Utamaro was arrested in 1804 for making prints depicting the sixteenth-century military ruler Toyotomi Hideyoshi. He was manacled for fifty days. He died two years later, at roughly fifty-three. The connection between the punishment and the death is debated, but the timing suggests something broke.
Almost nothing is certain about his early life. He was born around 1753, possibly in Edo, possibly in Kyoto, possibly in Kawagoe. He began publishing prints in the 1770s under the guidance of the publisher Tsutaya Juzaburo, who recognised what Utamaro could do with a portrait of a woman.
What he could do was unprecedented. He invented the okubi-e format: large head-and-shoulders portraits of individual women, mostly from the Yoshiwara pleasure district, printed in close-up with minimal background. Before Utamaro, bijin-ga (pictures of beautiful women) showed groups of figures in full length. He isolated the face, the tilt of the head, the expression. The prints are psychologically specific in a way that had not existed in Japanese printmaking.
He also published books of insect studies and volumes of shunga (erotica), and he made portraits of ordinary town women, not just courtesans. Ohisa and Okita, two shopgirls who appeared in his Three Beauties of the Present Day, became famous across Edo because of his prints. He turned real people into celebrities, which may be the first documented instance of an artist functioning as a kind of media platform.
Tsutaya Juzaburo died in 1797. Utamaro was reportedly devastated. Some critics feel his work never reached the same level afterward. He produced over two thousand prints in his career.
Almost nothing is certain about his early life. He was born around 1753, possibly in Edo, possibly in Kyoto, possibly in Kawagoe. He began publishing prints in the 1770s under the guidance of the publisher Tsutaya Juzaburo, who recognised what Utamaro could do with a portrait of a woman.
What he could do was unprecedented. He invented the okubi-e format: large head-and-shoulders portraits of individual women, mostly from the Yoshiwara pleasure district, printed in close-up with minimal background. Before Utamaro, bijin-ga (pictures of beautiful women) showed groups of figures in full length. He isolated the face, the tilt of the head, the expression. The prints are psychologically specific in a way that had not existed in Japanese printmaking.
He also published books of insect studies and volumes of shunga (erotica), and he made portraits of ordinary town women, not just courtesans. Ohisa and Okita, two shopgirls who appeared in his Three Beauties of the Present Day, became famous across Edo because of his prints. He turned real people into celebrities, which may be the first documented instance of an artist functioning as a kind of media platform.
Tsutaya Juzaburo died in 1797. Utamaro was reportedly devastated. Some critics feel his work never reached the same level afterward. He produced over two thousand prints in his career.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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