Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Grand Canal (Venise) - Paul Signac
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£28.00 GBP
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£28.00 GBP
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Beschrijving
A luminous Neo-Impressionist view of Venice, rendered in Signac's signature pointillist style with a focus on light and colour theory.
Paul Signac, a central figure in the development of Neo-Impressionism, painted this view of the Grand Canal in Venice in 1905. The work demonstrates his mature application of the divisionist technique, where small, distinct dots of pure colour are placed side by side on the canvas. Rather than mixing pigments on the palette, Signac relies on the viewer's eye to optically blend these hues, creating a luminosity that characterises his later output.
The composition features the iconic Santa Maria della Salute in the middle distance, its domes rendered in cool blues and greens that contrast with the warm, golden light of the Venetian sky. In the foreground, the dark, rhythmic shapes of moored gondolas and the vertical accents of the striped mooring poles provide a sense of scale and depth. Signac uses a systematic approach to colour, applying short, rectangular brushstrokes that follow the contours of the water and the architectural forms. This method allows him to capture the shimmering quality of light reflecting off the canal surface.
Signac visited Venice several times during the early twentieth century, and these trips resulted in a series of works that explore the city's unique atmospheric conditions. Unlike the earlier, more rigid scientific approach of Georges Seurat, Signac's later work exhibits a greater freedom in brushwork and a more expressive use of colour. The mosaic-like surface of the painting transforms the familiar Venetian scene into a study of light and colour theory. By breaking the image down into its constituent parts, Signac invites the viewer to engage with the mechanics of perception. The painting remains a clear example of his dedication to the principles of colour science, applied to the subjects of travel and maritime life.
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Productie
Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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- Giclée-print van museumkwaliteit voor rijke, kleurvaste kleuren
- Archiefbestendig mat fine-art papier, FSC-gecertificeerd
- Diverse formaten en inlijstopties beschikbaar
- Lijsten in zwart, naturel hout, donker hout of wit
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- Stof voorzichtig af met een zachte, droge doek
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Materialen & formaten
Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
Maak de look compleet
Grand Canal (Venise) - Paul Signac
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Paul Signac
Paul Signac, a pivotal figure in the Pointillist movement, often stands in the shadow of his more famous friend, Georges Seurat. However, Signac's contribution to the development and popularisation of this revolutionary technique is undeniable. Born in Paris in 1863, he initially trained as an architect before finding his true calling in painting. Unlike many of his contemporaries, Signac came from a relatively wealthy background, allowing him the freedom to pursue his artistic passions without the immediate pressure of commercial success.
Signac embraced Pointillism after encountering Seurat's *A Sunday on La Grande Jatte* in 1884. Captivated by the scientific approach to colour and light, he became a devoted follower and, later, a leading advocate of the style. Following Seurat's untimely death in 1891, Signac stepped into the role of the movement's champion, ensuring its continued influence on the avant-garde. His own works, such as *The Red Buoy* and *Antibes, Evening*, showcase his mastery of the technique, using vibrant dots of pure colour to create luminous and harmonious compositions.
Beyond his artistic output, Signac was also a dedicated writer and theorist. His book, *From Eugène Delacroix to Neo-Impressionism*, remains a seminal text on the subject, providing invaluable insights into the principles and philosophy behind Pointillism. Signac's passion for sailing also profoundly influenced his art, with many of his paintings depicting coastal scenes and harbours across France. He died in 1935, leaving behind a legacy as both a talented artist and a key intellectual force within the Neo-Impressionist movement.
Signac embraced Pointillism after encountering Seurat's *A Sunday on La Grande Jatte* in 1884. Captivated by the scientific approach to colour and light, he became a devoted follower and, later, a leading advocate of the style. Following Seurat's untimely death in 1891, Signac stepped into the role of the movement's champion, ensuring its continued influence on the avant-garde. His own works, such as *The Red Buoy* and *Antibes, Evening*, showcase his mastery of the technique, using vibrant dots of pure colour to create luminous and harmonious compositions.
Beyond his artistic output, Signac was also a dedicated writer and theorist. His book, *From Eugène Delacroix to Neo-Impressionism*, remains a seminal text on the subject, providing invaluable insights into the principles and philosophy behind Pointillism. Signac's passion for sailing also profoundly influenced his art, with many of his paintings depicting coastal scenes and harbours across France. He died in 1935, leaving behind a legacy as both a talented artist and a key intellectual force within the Neo-Impressionist movement.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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