Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A detailed nineteenth-century steel engraving featuring the exterior and library interior of Edgeworthstown, the family home of writer Maria Edgeworth.
This steel engraving, published in The Art-Journal, presents two distinct views of Edgeworthstown, the family seat of the Edgeworths in County Longford, Ireland. The upper portion of the print depicts the exterior of the house, a plain, classical structure surrounded by trees, with figures standing on the lawn. The lower portion provides a detailed perspective of the library, a spacious room filled with floor-to-ceiling bookshelves, tables, and seating, reflecting the intellectual environment associated with the writer Maria Edgeworth.
George Virtue was a prominent publisher of illustrated books and journals during the nineteenth century. His publications often featured high-quality engravings that documented architecture, topography, and historical sites across the British Isles. This specific print captures the domestic setting of a notable literary family, providing a visual record of the house and its interior arrangements as they appeared in the mid-nineteenth century. The engraving technique allows for precise rendering of architectural details, from the sash windows of the exterior to the arrangement of books and furniture within the library.
As a piece of historical documentation, the print offers insight into the aesthetic and functional priorities of a nineteenth-century Irish country house. The inclusion of figures in both scenes provides a sense of scale and human presence, grounding the architectural subjects in daily life. The composition is typical of the period, prioritising clarity and descriptive accuracy to inform readers of The Art-Journal about the residences of significant cultural figures. This print is a useful example of the collaborative nature of Victorian publishing, where artists, engravers, and writers worked together to produce visual narratives for a public interested in history and literature.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
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