Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A detailed eighteenth-century etching by Pieter de Coup documenting the ruins of the Koningsveld Abbey near Delft.
This etching by Pieter de Coup depicts the remnants of the Abbey of Koningsveld, located near Delft. The work captures the architectural decay of the site, focusing on the crumbling masonry and the skeletal remains of the structure. De Coup employs precise line work to define the textures of weathered stone and the surrounding terrain, a common practice in Dutch topographical printmaking of the early eighteenth century.
In the foreground, small figures are positioned to provide a sense of scale against the imposing ruins. The inclusion of these individuals, along with a small dog, introduces a narrative element to the scene, suggesting the site was a location for local observation or travel. The composition is framed within a formal border, typical of historical prints intended for inclusion in topographical collections or atlases. The title cartouche at the base, reading 'RUÏNE van KONINGSFELD: wel eer een Abdye ontrent DELF', serves to identify the location for the contemporary viewer, reflecting the period interest in documenting historical monuments and local heritage.
The etching technique allows for a clear distinction between the light-filled sky and the shadowed recesses of the ruined abbey. By using varying densities of cross-hatching, the artist creates a sense of volume and depth, despite the relatively flat nature of the medium. This print offers a glimpse into the Dutch fascination with the passage of time and the physical remnants of religious institutions that had long since ceased their original functions. The work remains a valuable record of the site as it appeared during the early eighteenth century, providing a clear view of the architectural features that have since largely vanished from the Delft area.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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Museum-Quality Materials
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