Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
George IV as Prince of Wales - Thomas Gainsborough
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£37.00 GBP
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£37.00 GBP
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Beschrijving
A portrait of the future King George IV by Thomas Gainsborough, capturing the Prince with the artist's characteristic fluid brushwork and atmospheric style.
This portrait depicts the future King George IV during his youth, captured by the hand of Thomas Gainsborough. The artist, known for his fluid brushwork and sensitive approach to his subjects, presents the Prince in a manner that balances formal royal expectation with a more personal, almost informal quality. Gainsborough often preferred to focus on the character of the sitter rather than the rigid display of status common in the portraiture of the period.
The Prince is shown in a dark blue coat, accented by gold embroidery and a crisp white cravat. His expression is calm, with a gaze directed away from the viewer, suggesting a moment of quiet contemplation. The background is composed of loose, atmospheric strokes of dark blue and grey, a hallmark of Gainsborough's later style. This technique allows the figure to emerge from the shadows, drawing the eye directly to the facial features and the texture of the clothing.
Technically, the work demonstrates the artist's ability to manipulate oil paint to create varying degrees of opacity and light. The application of paint is light and feathery, particularly in the treatment of the hair and the background, which contrasts with the more defined details of the facial structure. This portrait remains a fine example of British portraiture from the late eighteenth century, reflecting the aesthetic preferences of the Georgian era. It avoids the heavy, overly formal compositions that defined the work of many of Gainsborough's contemporaries, opting instead for a lighter, more painterly touch that captures the essence of the sitter. The work provides a glimpse into the life of the British monarchy before the Prince's eventual accession to the throne, preserved here through the lens of one of the most skilled painters of the time.
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Productie
Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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- Giclée-print van museumkwaliteit voor rijke, kleurvaste kleuren
- Archiefbestendig mat fine-art papier, FSC-gecertificeerd
- Diverse formaten en inlijstopties beschikbaar
- Lijsten in zwart, naturel hout, donker hout of wit
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Materialen & formaten
Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
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George IV as Prince of Wales - Thomas Gainsborough
Normale prijs
Vanaf £37.00 GBP
Actieprijs
Vanaf £37.00 GBP
Normale prijs
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Thomas Gainsborough
Gainsborough composed landscape scenes by building tabletop models from broccoli and cauliflower for trees, lumps of coal for hills, and mirrors for water. He painted from these arrangements in his studio. He said he was sick of portraits and wished he could walk off with his viol-da-gamba to paint landscapes. Portraits paid the bills. Landscapes were what he loved.
He was born in Sudbury, Suffolk, in 1727. His father went bankrupt in 1733. He moved to London as a teenager and trained under the French engraver Hubert-Francois Gravelot. By his thirties he was one of the two dominant portrait painters in Georgian England, the other being Joshua Reynolds. The rivalry with Reynolds defined both their careers.
The Blue Boy is probably his most famous painting, though he would have preferred to be remembered for his landscapes. On his deathbed he reconciled with Reynolds. Reynolds later wrote that the Royal Academy had lost one of its greatest ornaments. Gainsborough died in 1788, aged sixty-one.
He was born in Sudbury, Suffolk, in 1727. His father went bankrupt in 1733. He moved to London as a teenager and trained under the French engraver Hubert-Francois Gravelot. By his thirties he was one of the two dominant portrait painters in Georgian England, the other being Joshua Reynolds. The rivalry with Reynolds defined both their careers.
The Blue Boy is probably his most famous painting, though he would have preferred to be remembered for his landscapes. On his deathbed he reconciled with Reynolds. Reynolds later wrote that the Royal Academy had lost one of its greatest ornaments. Gainsborough died in 1788, aged sixty-one.
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Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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