Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Geabstraheerde vogel (Abstracted Bird) - Samuel Jessurun de Mesquita
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£28.00 GBP
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£28.00 GBP
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Beschrijving
A study in geometric abstraction by Dutch artist Samuel Jessurun de Mesquita, featuring a bird reduced to interlocking planes and rhythmic graphite shading.
Samuel Jessurun de Mesquita was a Dutch graphic artist known for his technical precision and his exploration of geometric forms. This work, titled Geabstraheerde vogel, demonstrates his approach to reducing organic subjects into structural components. The composition relies on the interplay between light and shadow, achieved through controlled graphite shading and rhythmic hatching techniques.
De Mesquita often experimented with the tension between representation and abstraction. In this study, the bird is no longer a literal depiction but a series of interlocking planes and volumes. The artist uses a dark, rectangular frame to contain the subject, which creates a sense of depth against the lighter background. The lines are deliberate, showing a disciplined hand that prioritises form over descriptive detail. The lower portion of the image includes a textured border, which adds a tactile quality to the overall design.
His work is frequently associated with the graphic arts tradition in the Netherlands, where he taught at the School of Applied Arts in Haarlem. His influence extended to younger artists, including M.C. Escher, who studied under him. De Mesquita's ability to manipulate space and pattern is evident here, as the bird's anatomy is broken down into segments that suggest movement and weight. The drawing reflects a period of experimentation where artists sought to find new visual languages beyond traditional realism. By focusing on the structural essence of the bird, the artist invites the viewer to consider the relationship between shape, tone, and the physical surface of the paper. This piece is a clear example of his analytical approach to drawing, where every mark serves a specific purpose in defining the spatial arrangement of the subject.
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Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
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Geabstraheerde vogel (Abstracted Bird) - Samuel Jessurun de Mesquita
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Samuel Jessurun De Mesquita
After the Nazis deported De Mesquita and his family in February 1944, M.C. Escher went to his teacher's ransacked house and rescued as much of his work as he could. Some of the prints Escher saved still bear the muddy boot prints of German soldiers. De Mesquita, his wife Elisabeth and their son Jaap all died in the camps.
He was born in Amsterdam in 1868, of Portuguese Sephardic Jewish origin. He trained there and was appointed teacher at the School of Architecture and Decorative Arts in Haarlem in 1902, where he remained until 1926. Escher was his most famous student; it was De Mesquita who convinced the young Escher to abandon architecture for graphic arts, a decision that changed twentieth-century visual culture.
De Mesquita produced over four hundred prints, including woodcuts, wood engravings, etchings and lithographs, plus drawings and textile designs. His animal and bird woodcuts, with their stark black-and-white stylisation influenced by Japanese ukiyo-e, are among his most distinctive work. He was not religiously observant despite his Sephardic community background. His wife Elisabeth was gassed alongside him at Auschwitz; their son Jaap perished at Theresienstadt a month later. He died at Auschwitz, around 11 February 1944, at seventy-five.
He was born in Amsterdam in 1868, of Portuguese Sephardic Jewish origin. He trained there and was appointed teacher at the School of Architecture and Decorative Arts in Haarlem in 1902, where he remained until 1926. Escher was his most famous student; it was De Mesquita who convinced the young Escher to abandon architecture for graphic arts, a decision that changed twentieth-century visual culture.
De Mesquita produced over four hundred prints, including woodcuts, wood engravings, etchings and lithographs, plus drawings and textile designs. His animal and bird woodcuts, with their stark black-and-white stylisation influenced by Japanese ukiyo-e, are among his most distinctive work. He was not religiously observant despite his Sephardic community background. His wife Elisabeth was gassed alongside him at Auschwitz; their son Jaap perished at Theresienstadt a month later. He died at Auschwitz, around 11 February 1944, at seventy-five.
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Fine Art Framed
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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