Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Fall Plowing - Grant Wood
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£28.00 GBP
Actieprijs
£28.00 GBP
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Archivale giclée
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Beschrijving
A quintessential American Regionalist work by Grant Wood, depicting the orderly, rolling hills and harvested fields of the Iowa countryside in 1931.
Fall Plowing, completed in 1931, is a representative work of American Regionalism. Grant Wood, an artist from Iowa, focused his practice on the rural life and geography of the American Midwest during the interwar period. This painting depicts a freshly turned field in the foreground, where a traditional walking plough sits idle. The composition draws the eye across the furrows towards a middle ground filled with orderly rows of golden haystacks. Beyond these, the rolling hills of the Iowa countryside extend toward a distant, simplified farmhouse and barn.
Wood employs a highly controlled, precise technique that borders on the decorative. The forms are simplified into smooth, rounded shapes, and the textures of the earth and vegetation are rendered with a rhythmic, repetitive quality. This approach moves away from the loose brushwork of Impressionism, favouring a clarity that suggests a constructed, almost stage-like reality. The light is clear and even, casting long, soft shadows that define the contours of the terrain.
By omitting the human figure, Wood allows the viewer to focus entirely on the relationship between the land and the tools of agriculture. The work reflects a period when American artists sought to define a national identity through the depiction of local subjects. The palette consists of warm ochres, browns, and greens, which evoke the specific atmosphere of an autumn harvest. The painting is currently held in the collection of the Fine Arts Museums of San Francisco. It remains a clear example of the artist's ability to transform the mundane details of farming into a structured, formal composition.
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Productie
Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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Elk Solis-stuk wordt op bestelling gemaakt met archiefbestendige materialen van galeriekwaliteit die zijn ontworpen om lang mee te gaan.
- Giclée-print van museumkwaliteit voor rijke, kleurvaste kleuren
- Archiefbestendig mat fine-art papier, FSC-gecertificeerd
- Diverse formaten en inlijstopties beschikbaar
- Lijsten in zwart, naturel hout, donker hout of wit
- Ingelijste prints worden klaar om op te hangen geleverd
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- Stof voorzichtig af met een zachte, droge doek
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Materialen & formaten
Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
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Fall Plowing - Grant Wood
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Grant Wood
Grant Wood, though quintessentially American in subject matter, possessed a surprisingly cosmopolitan artistic education. Born in rural Iowa in 1891, Wood's early artistic inclinations were nurtured by his mother after his father's death. He later studied at the Minneapolis School of Design and Handicraft, and even took a brief sojourn to Paris to study at the Académie Julian. However, it was a trip to Munich in the 1920s, and exposure to the stark realism of the Northern Renaissance masters, that truly crystallised his artistic vision. He returned to Iowa, determined to depict the American Midwest with the same unflinching eye.
As a key figure in the Regionalism movement, Grant Wood rejected European abstraction in favour of celebrating rural American life. His most famous painting, *American Gothic* (1930), became an iconic, and often parodied, representation of the American character. Other notable works, like *The Midnight Ride of Paul Revere* (1931) and *Stone City, Iowa* (1930), further cemented his reputation as a painter of the American heartland. These paintings weren't simply landscapes; they were imbued with a sense of nostalgia, social commentary, and a deep connection to the land.
Despite his relatively short career, Grant Wood left an indelible mark on American art. His paintings continue to resonate with viewers today, offering a glimpse into a specific time and place, while simultaneously exploring universal themes of identity, community, and the relationship between humanity and nature. His work serves as a reminder of the beauty and complexity that can be found in the everyday, and the enduring power of art to capture the spirit of a nation.
As a key figure in the Regionalism movement, Grant Wood rejected European abstraction in favour of celebrating rural American life. His most famous painting, *American Gothic* (1930), became an iconic, and often parodied, representation of the American character. Other notable works, like *The Midnight Ride of Paul Revere* (1931) and *Stone City, Iowa* (1930), further cemented his reputation as a painter of the American heartland. These paintings weren't simply landscapes; they were imbued with a sense of nostalgia, social commentary, and a deep connection to the land.
Despite his relatively short career, Grant Wood left an indelible mark on American art. His paintings continue to resonate with viewers today, offering a glimpse into a specific time and place, while simultaneously exploring universal themes of identity, community, and the relationship between humanity and nature. His work serves as a reminder of the beauty and complexity that can be found in the everyday, and the enduring power of art to capture the spirit of a nation.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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