Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Evening Snow - George Bellows
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£28.00 GBP
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£28.00 GBP
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Beschrijving
A 1921 lithograph by George Bellows capturing a nocturnal New York street scene during a snowstorm, defined by dramatic light and gestural movement.
George Bellows, a key figure in the Ashcan School, produced this lithograph in 1921. The work captures a nocturnal street scene during a winter storm, demonstrating his ability to render atmospheric conditions through tonal variation. The composition is anchored by a single street lamp, which casts a cone of light over the figures below. This illumination creates sharp contrasts between the dark, heavy sky and the illuminated snow on the ground.
Bellows focuses on the movement of city life. Pedestrians navigate the slushy street, their forms rendered with loose, gestural marks that suggest the haste of people trying to escape the cold. A horse-drawn carriage sits to the right, partially obscured by the gloom, while the falling snow is depicted with fine, scratched lines that cut across the darker areas of the print. The collaboration with master printer Bolton Brown is evident in the technical execution, as the lithographic process allows for a soft, painterly quality that mimics the texture of charcoal or crayon.
This print reflects the artist's interest in the everyday realities of New York City. Rather than idealising the urban environment, Bellows presents a raw, immediate view of the city. The work avoids sentimentality, instead offering a direct observation of light, shadow, and human activity. The interplay of the artificial light against the natural darkness of the evening provides a sense of depth and drama. It is a study of how light shapes the perception of space in an urban setting, particularly under the transformative conditions of a snowstorm. The print remains a clear example of Bellows's technical proficiency in lithography and his observational approach to his surroundings.
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Productie
Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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- Giclée-print van museumkwaliteit voor rijke, kleurvaste kleuren
- Archiefbestendig mat fine-art papier, FSC-gecertificeerd
- Diverse formaten en inlijstopties beschikbaar
- Lijsten in zwart, naturel hout, donker hout of wit
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Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
Maak de look compleet
Evening Snow - George Bellows
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
George Bellows
Bellows was six foot two and good enough at baseball to attract interest from the Cincinnati Reds. He chose painting instead, moved to New York in 1904, and studied under Robert Henri at the New York School of Art. Henri taught that art should engage with the messy reality of American life, not retreat into academic prettiness. Bellows took the instruction further than anyone in the group.
He painted boxing matches at Tom Sharkey's saloon, an illegal club near the Brooklyn waterfront where bare-knuckle fights happened in a back room. Stag at Sharkey's, painted in 1909 when he was twenty-six, shows two fighters locked together under electric light, the crowd surging at the edges of the canvas. The paint is applied with a violence that matches the subject.
He was the youngest artist associated with the Ashcan School and the boldest. While other members painted park benches and tenement laundry lines, Bellows painted excavation sites, shipyards, snow-covered lots, and river swimmers. The compositions are physically large, thickly painted, and arranged with an energy that makes the viewer feel as though the scene is still happening.
He worked as a newspaper sports illustrator to pay the bills, and the events he covered became paintings. In 1923 he was at the Polo Grounds on assignment for the New York Evening Journal when Luis Firpo knocked Jack Dempsey out of the ring and nearly into his lap. The painting he made of the moment reversed the punch to a left hook because the composition worked better that way. Accuracy was less important than impact.
He died of a ruptured appendix in 1925, at forty-two.
He painted boxing matches at Tom Sharkey's saloon, an illegal club near the Brooklyn waterfront where bare-knuckle fights happened in a back room. Stag at Sharkey's, painted in 1909 when he was twenty-six, shows two fighters locked together under electric light, the crowd surging at the edges of the canvas. The paint is applied with a violence that matches the subject.
He was the youngest artist associated with the Ashcan School and the boldest. While other members painted park benches and tenement laundry lines, Bellows painted excavation sites, shipyards, snow-covered lots, and river swimmers. The compositions are physically large, thickly painted, and arranged with an energy that makes the viewer feel as though the scene is still happening.
He worked as a newspaper sports illustrator to pay the bills, and the events he covered became paintings. In 1923 he was at the Polo Grounds on assignment for the New York Evening Journal when Luis Firpo knocked Jack Dempsey out of the ring and nearly into his lap. The painting he made of the moment reversed the punch to a left hook because the composition worked better that way. Accuracy was less important than impact.
He died of a ruptured appendix in 1925, at forty-two.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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