Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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A study of light and shadow in North Africa, this work captures the architectural character of a gateway with expressive brushwork and a warm palette.
Henry Ossawa Tanner, an American expatriate who spent much of his career in France, frequently travelled to North Africa during the early twentieth century. This work, Entrance to the Casbah, captures the architectural character and atmospheric light of the region. Tanner employs a palette dominated by warm ochres, pale yellows, and soft violet shadows to render the stone walls and the arched gateway. The composition draws the eye toward the dark, recessed entrance, where a solitary figure in a white djellaba stands in contrast to the surrounding masonry.
In the foreground, a group of figures and a pack animal are positioned along the incline, suggesting the daily activity of the street. Tanner uses loose, expressive brushwork to define the forms, prioritising the play of light over precise anatomical detail. The application of paint is varied, with thicker impasto used to catch the light on the sun-drenched walls, while thinner washes define the deeper recesses of the shadows. This approach reflects his interest in the tonal qualities of light, a characteristic often associated with his later work.
Unlike many of his contemporaries who focused on the exoticism of the Orient, Tanner approached these subjects with a focus on the quiet, human elements of the scene. The architecture is treated with a sense of structural integrity, yet the overall effect remains atmospheric. The painting demonstrates his ability to balance the demands of representational accuracy with a personal, painterly style. By focusing on the interplay between the bright exterior light and the cool, dark interior of the gateway, Tanner creates a sense of depth and mystery. This piece remains a representative example of his interest in the visual culture of North Africa, demonstrating his technical skill and his observant eye for the nuances of light and shadow in an urban setting.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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