Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Duguesclin - Eugène Delacroix
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£28.00 GBP
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£28.00 GBP
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Beschrijving
A 1829 lithograph by Eugène Delacroix depicting the medieval knight Bertrand du Guesclin, capturing the dramatic atmosphere of the French Romantic period.
This lithograph by Eugène Delacroix depicts the medieval Breton knight Bertrand du Guesclin, a figure of significant military renown during the Hundred Years War. Produced in 1829, the work forms part of a series titled Chroniques de France, which reflects the period interest in national history and the revival of medieval themes within French Romantic art.
The composition centres on the mounted figure of Du Guesclin, who sits atop his horse with a stern, resolute expression. He is surrounded by a retinue of soldiers in plate armour, their forms rendered with the dramatic chiaroscuro characteristic of Delacroix. To the left, a woman in period dress stands near the horse, providing a narrative contrast to the martial atmosphere of the scene. The background features the stone walls of the Château de Pontorson, sketched with loose, expressive lines that suggest the weight and texture of the masonry without excessive detail.
Delacroix employs a varied range of tonal values to create depth and atmosphere. The lithographic process allows for soft, painterly transitions in the shadows, particularly across the horse and the armour of the soldiers. The artist captures the tension of the moment, focusing on the psychological presence of the protagonist rather than mere historical documentation. The inclusion of text at the bottom of the print, typical of the publication format of the time, provides context for the scene. This work demonstrates the artist's ability to translate the energy of his oil paintings into the medium of printmaking, maintaining a sense of movement and drama through line and shadow. It remains a clear example of the Romantic fascination with the medieval past, interpreted through a lens of personal expression and technical mastery.
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Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
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Duguesclin - Eugène Delacroix
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Eugene Delacroix
Delacroix painted Liberty leading the people over a barricade of corpses and gave Romanticism its defining image. Liberty Leading the People (1830) shows a bare-breasted woman holding the tricolour, striding over the dead, accompanied by a boy with pistols. It commemorates the July Revolution. Delacroix included himself in the painting, wearing a top hat and carrying a rifle. Whether he actually fought on the barricades is unlikely but characteristic.
He was born in Charenton-Saint-Maurice, near Paris. His legal father was a diplomat. His biological father may have been Talleyrand, the foreign minister, which would explain several things about his career including his early access to government commissions. He studied at the Ecole des Beaux-Arts under Pierre-Narcisse Guerin and was influenced by Gericault's The Raft of the Medusa, which showed him that contemporary events could be painted at the scale previously reserved for mythology.
His brushwork was loose and fast by the standards of the Academy. He preferred colour to line, which put him in direct opposition to Ingres, the master of precise contour. The rivalry between Delacroix and Ingres, colour versus drawing, became the central argument of French painting in the mid-nineteenth century. Delacroix won in the long run: the Impressionists claimed him, the Fauves revered him, and Cezanne called him the starting point of modern painting.
He travelled to Morocco in 1832 and came back with notebooks full of colour studies that influenced the rest of his career. The North African light loosened his palette permanently. He died in 1863, at sixty-five, and left a journal that is one of the most intelligent accounts of painting ever written.
He was born in Charenton-Saint-Maurice, near Paris. His legal father was a diplomat. His biological father may have been Talleyrand, the foreign minister, which would explain several things about his career including his early access to government commissions. He studied at the Ecole des Beaux-Arts under Pierre-Narcisse Guerin and was influenced by Gericault's The Raft of the Medusa, which showed him that contemporary events could be painted at the scale previously reserved for mythology.
His brushwork was loose and fast by the standards of the Academy. He preferred colour to line, which put him in direct opposition to Ingres, the master of precise contour. The rivalry between Delacroix and Ingres, colour versus drawing, became the central argument of French painting in the mid-nineteenth century. Delacroix won in the long run: the Impressionists claimed him, the Fauves revered him, and Cezanne called him the starting point of modern painting.
He travelled to Morocco in 1832 and came back with notebooks full of colour studies that influenced the rest of his career. The North African light loosened his palette permanently. He died in 1863, at sixty-five, and left a journal that is one of the most intelligent accounts of painting ever written.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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