Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Cock and Hen Pheasant at the Edge of a Wood - Archibald Thorburn
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£28.00 GBP
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£28.00 GBP
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Beschrijving
A detailed watercolour study of pheasants in a woodland setting by the noted British wildlife artist Archibald Thorburn.
Archibald Thorburn, a Scottish artist known for his precise observation of British wildlife, produced this watercolour in 1926. The composition features a male pheasant in the foreground, his plumage rendered with careful attention to the iridescent blues and coppers of the neck and back. Beside him, two female pheasants remain partially obscured by the grasses, their mottled brown feathers providing camouflage against the woodland floor.
Thorburn utilised a light, controlled wash technique to capture the atmosphere of the British countryside. The background recedes into a soft, hazy distance, suggesting a cool autumn day. The birch trees to the left frame the scene, while the open space to the right draws the eye toward the horizon. His approach to ornithological illustration prioritised accuracy in form and posture, a result of his extensive field studies and his work for various natural history publications.
This work demonstrates the artist's ability to balance scientific observation with a composed, aesthetic arrangement. The birds are positioned to show both the distinct sexual dimorphism of the species and their natural behaviour in a woodland habitat. Thorburn avoided overly dramatic staging, preferring to document the quiet reality of the birds in their environment. The palette remains grounded in natural earth tones, with the exception of the bright red caruncles around the cock pheasant's eye, which provide a sharp visual contrast. This print captures the technical skill and observational rigour that defined Thorburn's career as one of the most respected wildlife painters of the early twentieth century.
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Productie
Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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- Giclée-print van museumkwaliteit voor rijke, kleurvaste kleuren
- Archiefbestendig mat fine-art papier, FSC-gecertificeerd
- Diverse formaten en inlijstopties beschikbaar
- Lijsten in zwart, naturel hout, donker hout of wit
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Materialen & formaten
Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
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Cock and Hen Pheasant at the Edge of a Wood - Archibald Thorburn
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Archibald Thorburn
Thorburn's father was Robert Thorburn, Queen Victoria's favourite miniature painter. The elder Thorburn was exacting: he tore up his son's weaker sketches. Archibald learned early that accuracy was not optional.
He began as a sportsman, attending shooting parties at Sandringham and sketching the birds he helped kill. Sometime before the turn of the century he wounded a hare and heard it scream. He hung up his gun permanently and spent the rest of his career painting the wildlife he had previously hunted. The shift from sportsman to conservationist is the central event of his life, though he rarely discussed it publicly.
He worked almost exclusively in watercolour, deeming oils too heavy and lifeless for the task of rendering a bird in its habitat. He enhanced his watercolours with tempera and Chinese white, achieving a luminosity that made the feathers glow. Each painting is a field study: the bird is anatomically correct, the vegetation is botanically identifiable, and the light belongs to a specific time of day in a specific season. His favourite haunt was the Forest of Gaick near Kingussie in the Scottish Highlands, where he first saw ptarmigan in 1883.
In his last years he refused electric lighting in his studio, preferring natural light and candles. He illustrated several editions of Swaysland's Familiar Wild Birds, produced Christmas cards that sold in enormous quantities, and became the most commercially successful wildlife painter in British history.
He taught Otto Murray Dixon and Philip Rickman, and when the young Donald Watson visited him in Dumfries and Galloway, Thorburn encouraged him to continue. The tradition of British bird painting runs through his studio.
He began as a sportsman, attending shooting parties at Sandringham and sketching the birds he helped kill. Sometime before the turn of the century he wounded a hare and heard it scream. He hung up his gun permanently and spent the rest of his career painting the wildlife he had previously hunted. The shift from sportsman to conservationist is the central event of his life, though he rarely discussed it publicly.
He worked almost exclusively in watercolour, deeming oils too heavy and lifeless for the task of rendering a bird in its habitat. He enhanced his watercolours with tempera and Chinese white, achieving a luminosity that made the feathers glow. Each painting is a field study: the bird is anatomically correct, the vegetation is botanically identifiable, and the light belongs to a specific time of day in a specific season. His favourite haunt was the Forest of Gaick near Kingussie in the Scottish Highlands, where he first saw ptarmigan in 1883.
In his last years he refused electric lighting in his studio, preferring natural light and candles. He illustrated several editions of Swaysland's Familiar Wild Birds, produced Christmas cards that sold in enormous quantities, and became the most commercially successful wildlife painter in British history.
He taught Otto Murray Dixon and Philip Rickman, and when the young Donald Watson visited him in Dumfries and Galloway, Thorburn encouraged him to continue. The tradition of British bird painting runs through his studio.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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