Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Cider - Pierre Puvis de Chavannes
Normale prijs
£28.00 GBP
Actieprijs
£28.00 GBP
Normale prijs
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Beschrijving
A serene, allegorical depiction of rural labour and cider production, rendered in the muted, classical style characteristic of Pierre Puvis de Chavannes.
Pierre Puvis de Chavannes, a central figure in French nineteenth-century painting, created this work as part of a series exploring the themes of industry and rural life. The composition presents a quiet, almost dreamlike depiction of apple harvesting and cider production. Figures are arranged across a shallow, frieze-like space, a hallmark of the artist's approach to mural-style painting. The palette is restrained, favouring muted earth tones, soft greens, and pale ochres, which contribute to the timeless, classical quality of the scene.
The figures, rendered with a deliberate lack of specific historical detail, appear as archetypes rather than individuals. Their poses are calm and measured, reflecting the artist's interest in order and harmony. In the background, men operate a press, while in the foreground, women and children engage in the gathering and preparation of fruit. The overall effect is one of stillness, removed from the rapid industrialisation occurring in the urban centres of the period. Puvis de Chavannes often sought to create a sense of monumental calm, drawing inspiration from classical antiquity while maintaining a distinctly modern, flattened perspective.
This work demonstrates the artist's preference for matte surfaces and simplified forms, which align with his broader practice of creating decorative panels for public buildings. The absence of dramatic lighting or intense emotional expression allows the viewer to focus on the rhythmic arrangement of the figures and the balanced distribution of weight across the canvas. It is a study in pastoral labour, stripped of the grit of reality and elevated into a serene, allegorical vision of human activity. The work remains a primary example of his ability to synthesise classical structure with a personal, contemplative aesthetic.
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Productie
Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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Elk Solis-stuk wordt op bestelling gemaakt met archiefbestendige materialen van galeriekwaliteit die zijn ontworpen om lang mee te gaan.
- Giclée-print van museumkwaliteit voor rijke, kleurvaste kleuren
- Archiefbestendig mat fine-art papier, FSC-gecertificeerd
- Diverse formaten en inlijstopties beschikbaar
- Lijsten in zwart, naturel hout, donker hout of wit
- Ingelijste prints worden klaar om op te hangen geleverd
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Om uw kunstwerk in topconditie te houden:
- Stof voorzichtig af met een zachte, droge doek
- Vermijd langdurig direct zonlicht
- Gebruik nooit vloeibare reinigingsmiddelen op het oppervlak van de print of het canvas
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Materialen & formaten
Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
Maak de look compleet
Cider - Pierre Puvis de Chavannes
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Pierre Puvis De Chavannes
Puvis de Chavannes painted murals for the Boston Public Library without ever visiting Boston. He worked from marble samples and architectural models shipped to his Paris studio, matching pale fresco-like colours to a building he would never enter. The library got eight stairway murals. Boston got a painter who did not need to see a place to understand it.
He was born in Lyon in 1824, the son of a mining engineer from an old Burgundian noble family. He added the ancestral "de Chavannes" to his name himself. A serious illness interrupted his planned engineering career; a trip to Italy redirected him toward painting. Back in Paris he studied briefly under Delacroix, then under Henri Scheffer and Thomas Couture, but developed a style that owed little to any of them: simplified forms, rhythmic outlines, muted colour that imitated the appearance of fresco, applied to large allegorical subjects drawn from antiquity and French history.
His murals at the Pantheon in Paris (begun 1874, depicting the life of Saint Genevieve) and at town halls, churches and civic buildings across France earned him the informal title "the painter for France". The technique was not true fresco but oil on canvas affixed to the wall (marouflage), which allowed him to work in his studio. The pale, flattened surfaces influenced an unlikely range of successors: Seurat studied his compositions, Gauguin absorbed his flat colour planes, Maurice Denis built Nabi theory partly on his example, and Picasso's Blue Period owes something to his chalky palette.
From 1856 he was in a relationship with the Romanian princess Marie Cantacuzene. They were together for forty years, marrying only shortly before both died in 1898.
He was born in Lyon in 1824, the son of a mining engineer from an old Burgundian noble family. He added the ancestral "de Chavannes" to his name himself. A serious illness interrupted his planned engineering career; a trip to Italy redirected him toward painting. Back in Paris he studied briefly under Delacroix, then under Henri Scheffer and Thomas Couture, but developed a style that owed little to any of them: simplified forms, rhythmic outlines, muted colour that imitated the appearance of fresco, applied to large allegorical subjects drawn from antiquity and French history.
His murals at the Pantheon in Paris (begun 1874, depicting the life of Saint Genevieve) and at town halls, churches and civic buildings across France earned him the informal title "the painter for France". The technique was not true fresco but oil on canvas affixed to the wall (marouflage), which allowed him to work in his studio. The pale, flattened surfaces influenced an unlikely range of successors: Seurat studied his compositions, Gauguin absorbed his flat colour planes, Maurice Denis built Nabi theory partly on his example, and Picasso's Blue Period owes something to his chalky palette.
From 1856 he was in a relationship with the Romanian princess Marie Cantacuzene. They were together for forty years, marrying only shortly before both died in 1898.
Made to order
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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