Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Burden Bearers - Paul Gavarni
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£28.00 GBP
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£28.00 GBP
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Beschrijving
A detailed lithograph by Paul Gavarni depicting the daily lives and physical toil of Parisian manual labourers in the mid-nineteenth century.
Paul Gavarni, born Sulpice Guillaume Chevalier, was a prolific French draughtsman and lithographer. He is recognised for his keen observation of Parisian life during the mid-nineteenth century. This lithograph, Burden Bearers, captures the physical toll of manual labour in an urban environment. The composition focuses on a group of workers, their postures reflecting the weight of their tasks. One figure is hunched under a heavy load, while others pause in conversation or rest upon their cargo. The background features the indistinct architecture of a city street, providing context to the scene without distracting from the primary subjects.
Gavarni utilised the lithographic medium to achieve a range of tonal values, from the deep shadows of the workers' clothing to the lighter, textured surfaces of the carts and the ground. His line work is precise, capturing the folds of fabric and the weary expressions of the individuals. Unlike his earlier, more satirical caricatures, this work leans into a documentary approach. It records the daily existence of the working class with a direct, unadorned perspective. The scene functions as a visual record of the social conditions prevalent in Paris during the mid-1800s. The artist avoids romanticising the subjects, choosing instead to present the reality of their environment. This print offers a glimpse into the history of urban labour, rendered with the technical skill that defined Gavarni's career as a master of the lithographic process.
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Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
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- Lijsten: zwart, naturel hout, donker hout of wit
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Burden Bearers - Paul Gavarni
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Paul Gavarni
Gavarni was imprisoned for debt in 1835 after his magazine, the Journal of High Society, failed after eighteen issues. He served nearly a year. The experience did not prevent him from becoming the most stylish caricaturist in Paris, but it may explain the darkness that crept into his later work.
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
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Fine Art Framed
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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