Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Au Théâtre Français - Paul Gavarni
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£28.00 GBP
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£28.00 GBP
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Beschrijving
A satirical lithograph by Paul Gavarni depicting a social scene at the theatre, capturing the nuances of nineteenth-century Parisian life.
Paul Gavarni, born Sulpice Guillaume Chevalier, was a master of French lithography during the nineteenth century. This work, part of the series Affiches Illustrées, captures a quintessential scene of Parisian social life. The composition depicts a trio at the theatre: a woman, her companion, and a looming, shadowy figure behind them. Gavarni uses the medium of lithography to achieve soft, tonal gradations that define the textures of clothing and the subtle expressions on the faces of his subjects. His ability to render the nuances of bourgeois life made him a popular chronicler of his era.
The scene is titled Au Théâtre Français, referencing the famous Parisian institution. The text below the image, La Cent-et-unième Représentation de: LE MARI, LA FEMME ET L'AMANT, adds a layer of narrative irony. Gavarni often used his prints to comment on the domestic dramas and social pretences of the middle classes. The figures are rendered with a focus on characterisation rather than idealisation. The man in the foreground, with his dishevelled appearance and expressive features, contrasts with the composed, elegant posture of the woman beside him. The ghostly presence in the background introduces a sense of ambiguity, typical of Gavarni's narrative style.
Technically, the print demonstrates the artist's command over the lithographic stone. The lines are fluid, and the shading is applied with a light touch, allowing the paper to breathe through the ink. This print offers a glimpse into the observational humour that defined Gavarni's career. It remains a record of the fashion, social dynamics, and theatrical culture of mid-nineteenth-century France. The work is presented here with its original typography, preserving the context of its initial publication by Aubert et Cie.
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Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
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Au Théâtre Français - Paul Gavarni
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Paul Gavarni
Gavarni was imprisoned for debt in 1835 after his magazine, the Journal of High Society, failed after eighteen issues. He served nearly a year. The experience did not prevent him from becoming the most stylish caricaturist in Paris, but it may explain the darkness that crept into his later work.
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
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Fine Art Framed
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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