A Young Woman and Man Playing Shōgi - Suzuki Harunobu
Archival giclée
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Description
A delicate woodblock print by Suzuki Harunobu depicting a quiet game of shōgi, part of his series referencing the Thirty-Six Poetic Immortals.
This woodblock print by Suzuki Harunobu depicts a quiet domestic scene featuring a young man and woman engaged in a game of shōgi, or Japanese chess. The work belongs to a series that references the Thirty-Six Poetic Immortals, a classic subject in Japanese art. Harunobu, a pioneer of the nishiki-e or brocade print, employs a delicate colour palette and fine line work to capture the intimacy of the moment. The figures are rendered with the slender, graceful proportions characteristic of his style during the 1760s.
The composition is balanced by the presence of a tall standing lantern and a large green curtain, which frame the players. The man rests his chin on his hand, contemplating his next move, while the woman watches him with a gentle expression. The floor is covered in tatami mats, and the background features a subtle, repeating floral pattern on the wall. Above the figures, a cloud-shaped cartouche contains a poem, linking the visual narrative to the literary tradition of the poetic immortals.
Harunobu was instrumental in the development of multi-coloured printing techniques. This print demonstrates his ability to integrate human figures into a structured interior space without sacrificing the fluidity of the design. The use of soft, muted tones creates a sense of calm, typical of the ukiyo-e genre's focus on the floating world of everyday life. The print is a fine example of the technical precision achieved by Edo-period artisans, where the registration of multiple woodblocks allowed for the subtle layering of colour and pattern seen in the kimonos and the surrounding decor. The work remains a clear representation of the aesthetic values prevalent in mid-eighteenth-century Japan, where literature and visual art were frequently intertwined.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
A Young Woman and Man Playing Shōgi - Suzuki Harunobu
Artist Biography
Suzuki Harunobu
Harunobu moved away from the stiff portraits of kabuki actors common in his era. He preferred to depict young women in their daily lives, often using an elevated viewpoint to look into private spaces. His series Zashiki hakkei, or Eight Parlour Views, provides a clear example of his method. He took classical Chinese themes and reimagined them as domestic scenes. A temple bell might become a chiming clock. A distant storm is represented by a woman drying herself after a bath.
Modern collectors value these prints for their quiet atmosphere and precise compositions. Harunobu avoided the aggressive energy of later ukiyo-e artists. He chose instead to focus on slender figures and soft colour harmonies. His work captures specific moments of leisure, such as playing cat's cradle or walking by the shore. These scenes offer a calm window into eighteenth-century Japan. They remain popular because they balance historical detail with a clean, graphic sensibility that suits contemporary interiors.
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