Collectie
Yves Klein
Ontdek gecureerde kunstprints, geselecteerd voor karakteristieke woningen en doordachte interieurs.
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Moon II - Yves Klein
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Anthropométrie sans titre (ANT 106) - Yves Klein
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Blue Agreement - Yves Klein
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Untitled Fire-Color Painting (FC 1) - Yves Klein
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Fire Painting F36 - Yves Klein
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Untitled (Equestrian Figure and Birds) - Yves Klein
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Monogold - Yves Klein
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Untitled Pink Monochrome - Yves Klein
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Untitled Blue Monochrome (IKB) - Yves Klein
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Black Monochrome - Yves Klein
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Le Rose du bleu (RE 22) - Yves Klein
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Untitled Blue Monochrome - Yves Klein
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Monochrome red (theater) - Yves Klein
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Fire Painting F31 - Yves Klein
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Untitled Fire Painting (FC 1) - Yves Klein
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Great Blue Cannibalism, eerbetoon aan Tennessee Williams - Yves Klein
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Zonder titel wit monochroom - Yves Klein
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Monochroom blauw, goud, roze, zilver, zwart - Yves Klein
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Wind van de Reis - Yves Klein
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Zonder titel (Stadsgezicht, aquarel op papier) - Yves Klein
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Antropometrieën van de Blauwe Periode - Yves Klein
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Assemblage van gebruikte verfrollers - Yves Klein
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Zwijgen is goud - Yves Klein
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Ex-voto opgedragen aan de heilige Rita van Cascia - Yves Klein
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Artist Biography
Yves Klein
Klein patented a colour. International Klein Blue, or IKB, is an ultramarine pigment suspended in a synthetic resin that keeps the colour saturated and matte. He registered it in 1960. The blue is so intense it appears to absorb light. He covered canvases, sponges, plaster casts, and globe sculptures in it. He covered naked women in it and pressed them against canvas (he called them 'Anthropometries' and performed the process in front of an audience while a chamber orchestra played his Monotone-Silence Symphony: twenty minutes of a single sustained chord followed by twenty minutes of silence).
He was born in Nice to artist parents and grew up between France, England, and Spain. He studied judo seriously, earning a fourth-degree black belt in Tokyo, and considered martial arts and art as related disciplines: both requiring control, precision, and the projection of force.
He exhibited an empty gallery in 1958 and called it Le Vide (The Void). Over three thousand people attended the opening. The gallery walls were painted white. There was nothing else. He served blue cocktails at the door. He sold invisible paintings (Zones of Immaterial Pictorial Sensibility) for gold, then threw half the gold into the Seine and burned the receipt.
He died of a heart attack in 1962, at thirty-four. His career lasted roughly eight years. In that time he made the monochromes, the Anthropometries, the fire paintings, the sponge sculptures, the void exhibitions, and enough theoretical writing to fill several volumes. He remains one of the most influential artists of the post-war period, which he would have considered insufficient recognition.
He was born in Nice to artist parents and grew up between France, England, and Spain. He studied judo seriously, earning a fourth-degree black belt in Tokyo, and considered martial arts and art as related disciplines: both requiring control, precision, and the projection of force.
He exhibited an empty gallery in 1958 and called it Le Vide (The Void). Over three thousand people attended the opening. The gallery walls were painted white. There was nothing else. He served blue cocktails at the door. He sold invisible paintings (Zones of Immaterial Pictorial Sensibility) for gold, then threw half the gold into the Seine and burned the receipt.
He died of a heart attack in 1962, at thirty-four. His career lasted roughly eight years. In that time he made the monochromes, the Anthropometries, the fire paintings, the sponge sculptures, the void exhibitions, and enough theoretical writing to fill several volumes. He remains one of the most influential artists of the post-war period, which he would have considered insufficient recognition.
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