The Vegetable Garden with Donkey - Joan Miró
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Descrizione
An early work by Joan Miró, this painting depicts the family farm in Mont-roig del Camp with meticulous detail and a rhythmic, flattened perspective.
Painted in 1918, The Vegetable Garden with Donkey belongs to the early period of Joan Miró, often categorised as his 'detailed' or 'meticulous' phase. During this time, the artist spent his summers at the family farm in Mont-roig del Camp, Catalonia. This specific location provided the subject matter for several works that demonstrate a transition from traditional representation towards the symbolic language that would define his later career.
The composition displays a high degree of precision. Miró renders the farmstead, the cultivated rows of vegetables, and the donkey with an almost obsessive attention to individual elements. Each plant, branch, and furrow is delineated with clarity. The sky, filled with stylised, rhythmic clouds, suggests a departure from pure realism, hinting at the imaginative distortion he would soon fully embrace. The perspective is flattened, creating a decorative arrangement of the farm's geometry rather than a conventional depth-based view.
This work captures the rural environment of Catalonia through a lens of intense observation. The palette consists of earthy browns, ochres, and greens, punctuated by the clear blue of the sky. The donkey, positioned in the foreground, acts as a grounding element within the structured grid of the garden. By focusing on the mundane details of agricultural life, Miró elevates the farm to a subject of rigorous artistic inquiry. The painting reflects his early training in the arts and crafts tradition, where the discipline of drawing and the study of form were paramount. It remains a clear example of his ability to balance objective observation with a developing personal mythology, providing a window into the formative years of one of the twentieth century's most influential figures.
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The Vegetable Garden with Donkey - Joan Miró
Artist Biography
Joan Miro
He grew up in Barcelona, the son of a goldsmith and watchmaker. He studied at the Escola de Belles Arts and at Francesc Gali's art school, where Gali made students draw objects by touch, blindfolded, to develop their sense of form. Miro went to Paris in 1920 and fell in with the Surrealists. Andre Breton called him 'the most Surrealist of us all', which was a compliment. Miro's paintings from this period look like dreams transcribed by someone who has never seen a dream depicted before: biomorphic shapes, stars, eyes, birds, and moons floating on flat fields of colour.
The Constellations series, twenty-three small gouaches painted during the Second World War, are his masterwork. He started them in Normandy as the German army advanced, continued in Palma de Mallorca after fleeing, and finished them in Barcelona. Each one is dense with interlocking forms connected by fine black lines, like a musical score or a star chart.
His late work includes monumental ceramics, tapestries, and public sculptures. The Barcelona airport has a floor mosaic. The Joan Miro Foundation on Montjuic, designed by his friend Josep Lluis Sert, opened in 1975. He burned canvases, stabbed them, walked on them. He was eighty-five and still trying to murder painting.
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