The Mosque of Omar, Jerusalem - David Roberts
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Descrizione
A detailed 1839 lithograph by David Roberts depicting the Dome of the Rock in Jerusalem, capturing the architectural grandeur and atmosphere of the site.
This print depicts the Dome of the Rock, historically referred to by European travellers as the Mosque of Omar, in Jerusalem. David Roberts, a Scottish painter, visited the Levant in 1839, producing a series of sketches that were later transformed into lithographs by Louis Haghe. These works gained wide circulation in Britain, shaping the Victorian perception of the Middle East.
The composition balances the monumental scale of the religious architecture with the presence of local figures in the foreground. Roberts employs a warm, earthy palette to capture the dry light of the region. The stone textures of the walls and the rounded forms of the domes are rendered with precision, reflecting the artist's background in scene painting for theatres. The inclusion of palm trees and individuals in traditional attire provides a sense of scale and atmosphere, typical of the period's fascination with distant lands.
This image is part of the larger collection titled 'The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia'. The lithographic process allows for subtle gradations of tone, particularly in the sky and the shadows cast across the courtyard. The work remains a record of the site as it appeared in the mid-nineteenth century, documenting architectural details that have since undergone various restorations. It is a piece of historical reportage, capturing the intersection of travel, archaeology, and artistic observation during the nineteenth century.
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The Mosque of Omar, Jerusalem - David Roberts
Artist Biography
David Roberts
In 1838 he sailed for Egypt and spent the next two years travelling through the Middle East, filling sketchbooks with drawings of temples, mosques, ruins and desert landscapes that almost no British artist had recorded before. To enter the mosques he had to shave off his sideburns, leave his hog-hair brushes behind (the pig being unclean), and wear traditional Arab clothing while he worked. He was one of the first Europeans allowed to paint inside a mosque.
The sketches became The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia, a series of 247 lithograph plates produced in collaboration with the printer Louis Haghe between 1842 and 1849. He funded the project through advance subscriptions, soliciting them personally. Queen Victoria was subscriber number one. Her complete set is still in the Royal Collection.
The lithographs gave Europeans their first detailed visual record of the ancient Near East. They were bought as art, used as reference by scholars, and shaped the Western imagination of Egypt and Palestine for the rest of the century.
His personal life was less composed. His wife Margaret became an alcoholic and in 1831 he sent her back to Scotland to be cared for by friends. He raised their daughter Christine largely alone. He was elected to the Royal Academy in 1841, a considerable achievement for a man who had started painting houses, and worked steadily until his death in 1864.
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