Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Stampa giclée d'archivio
Le cornici arrivano pronte per essere appese
Pagamento sicuro
Fatto su ordinazione
A nineteenth-century lithographic reproduction of John Singleton Copley's portrait of the Boston silversmith Nathaniel Hurd.
This lithographic reproduction depicts Nathaniel Hurd, a prominent Boston silversmith and engraver, based on the original oil portrait by John Singleton Copley. Copley, a master of colonial American portraiture, captured the likeness of his contemporaries with a focus on material texture and psychological presence. Hurd is shown wearing a soft cap and a simple garment, a departure from the formal attire often seen in Copley's commissioned works. The composition centres on the subject, using subtle shading to define the contours of his face and the folds of his headwear.
This specific print was produced by Pendleton's Lithography in Boston for the New England Magazine. It demonstrates the nineteenth-century practice of disseminating the works of earlier colonial artists to a broader public audience through print media. The lithographic process translates Copley's original brushwork into a series of tonal gradations, maintaining the clarity of the subject's features. The inclusion of the subject's name and the printer's mark at the base provides historical context regarding the print's origin and intended circulation.
As a document of American cultural history, this portrait offers a glimpse into the social circles of pre-Revolutionary Boston. Nathaniel Hurd was a skilled craftsman, and his inclusion in the New England Magazine suggests his status within the intellectual and artistic community of the period. The print retains the character of the original painting while adapting it to the aesthetic preferences of the mid-nineteenth century. It is a fine example of how portraiture functioned as a means of recording the appearance of influential figures, ensuring their image remained accessible long after the original canvas was completed. The muted tones and clear lines make this an appropriate choice for those interested in early American history and the evolution of printmaking techniques.
Poiché ogni stampa è realizzata su ordinazione, non offriamo resi, rimborsi o cambi in caso di ripensamento. Se il tuo ordine dovesse arrivare difettoso, danneggiato o errato, lo sostituiremo gratuitamente: ti basterà contattarci entro 48 ore dalla consegna. Consulta la nostra pagina sui rimborsi per tutti i dettagli.
Spediamo in tutto il mondo, stampando presso il centro di produzione più vicino al tuo indirizzo di consegna. I tempi e i costi di spedizione variano in base alla destinazione: visualizzerai le opzioni disponibili al momento del pagamento.
Ogni stampa è realizzata su ordinazione mediante stampa giclée a 12 colori su carta d'archivio certificata FSC. Ideata in Gran Bretagna e stampata presso il centro di produzione più vicino a te per ridurre gli sprechi e velocizzare la consegna.
Caratteristiche specifiche
Ogni opera Solis è realizzata su ordinazione con materiali d'archivio di qualità museale, costruiti per durare nel tempo.
Cura e pulizia
Per mantenere la tua opera d'arte al meglio:
Materiali e dimensioni
Stampa giclée di qualità museale su carta opaca d'archivio certificata FSC, con opzioni di cornice e tela.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Garanzia di consegna senza danni
Spedizione rapida
Materiali di qualità museale
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