Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Stampa giclée d'archivio
Le cornici arrivano pronte per essere appese
Pagamento sicuro
Fatto su ordinazione
A detailed 1723 engraving depicting the allegorical presentation of Louis XIV to the arts by the goddess Minerva.
This engraving by Simon Henri Thomassin, produced in 1723, serves as a formal reception piece for the Académie Royale de Peinture et de Sculpture. The composition functions as a visual panegyric to Louis XIV, positioning the monarch as the ultimate patron of the creative disciplines. At the upper right, Minerva, the goddess of wisdom and the arts, gestures towards a portrait medallion of the King, which is held aloft by a putto. This arrangement places the monarch in a celestial sphere, suggesting his divine right and his role as the guiding light for the figures below.
In the foreground, personifications of the arts are gathered. A female figure, representing Painting, holds a palette and brushes, while another figure nearby embodies Sculpture, indicated by the presence of a mallet and compasses. These figures look upward toward the portrait of the King, their postures conveying reverence and inspiration. A winged genius hovers between the terrestrial and celestial realms, acting as a conduit for the creative energy flowing from the monarch to the practitioners of the arts. In the lower right, young apprentices work at an easel, grounding the allegorical scene in the practical reality of artistic training.
Thomassin employs a sophisticated range of line work to define the textures of the clouds, the drapery of the figures, and the architectural elements in the background. The use of cross-hatching creates depth and volume, typical of the high-quality reproductive printmaking of the early eighteenth century. The Latin inscription at the base provides a formal dedication, reinforcing the connection between the Bourbon dynasty and the institutionalisation of the arts in France. This print offers a clear window into the visual language of the French court, where mythology and portraiture were combined to construct a specific image of royal authority and cultural stewardship.
Poiché ogni stampa è realizzata su ordinazione, non offriamo resi, rimborsi o cambi in caso di ripensamento. Se il tuo ordine dovesse arrivare difettoso, danneggiato o errato, lo sostituiremo gratuitamente: ti basterà contattarci entro 48 ore dalla consegna. Consulta la nostra pagina sui rimborsi per tutti i dettagli.
Spediamo in tutto il mondo, stampando presso il centro di produzione più vicino al tuo indirizzo di consegna. I tempi e i costi di spedizione variano in base alla destinazione: visualizzerai le opzioni disponibili al momento del pagamento.
Ogni stampa è realizzata su ordinazione mediante stampa giclée a 12 colori su carta d'archivio certificata FSC. Ideata in Gran Bretagna e stampata presso il centro di produzione più vicino a te per ridurre gli sprechi e velocizzare la consegna.
Caratteristiche specifiche
Ogni opera Solis è realizzata su ordinazione con materiali d'archivio di qualità museale, costruiti per durare nel tempo.
Cura e pulizia
Per mantenere la tua opera d'arte al meglio:
Materiali e dimensioni
Stampa giclée di qualità museale su carta opaca d'archivio certificata FSC, con opzioni di cornice e tela.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Materiali di qualità museale
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