Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Stampa giclée d'archivio
Le cornici arrivano pronte per essere appese
Pagamento sicuro
Fatto su ordinazione
A fine etching and engraving by Luigi Schiavonetti, depicting Christ holding the keys of hell and death, originally created for Robert Blair's poem, The Grave.
This print, titled Christ Descending into the Grave, is an etching and engraving by the Italian artist Luigi Schiavonetti. It was produced for the 1808 edition of Robert Blair's poem, The Grave, which featured illustrations designed by William Blake. Schiavonetti was commissioned to translate Blake's visionary watercolours into a format suitable for mass reproduction, a task that required technical precision and a sympathetic understanding of the original compositions.
The image depicts a central figure of Christ, rendered with a calm, authoritative presence. He stands upon a stone staircase, his arms extended to hold the keys of hell and death. Below his feet, flames lick at the steps, suggesting the descent into the underworld. The figure is draped in a simple, flowing garment that reflects the Neoclassical aesthetic prevalent in early nineteenth-century British printmaking. The composition is symmetrical and balanced, with the figure framed by two vertical architectural elements that provide a sense of depth and stability.
Schiavonetti's technique is characterised by fine, controlled lines that define the musculature of the figure and the texture of the drapery. The shading is achieved through delicate cross-hatching, which creates a subtle range of tones across the surface of the print. The inclusion of the original poetic inscription at the base of the image provides context for the scene, linking the visual representation directly to the literary source material. This work is a fine example of the collaborative nature of book illustration during the Romantic period, where the skills of the engraver were essential to the dissemination of artistic ideas. The print remains a clear record of the aesthetic dialogue between Blake's imaginative designs and the refined technical standards of the era's master engravers.
Poiché ogni stampa è realizzata su ordinazione, non offriamo resi, rimborsi o cambi in caso di ripensamento. Se il tuo ordine dovesse arrivare difettoso, danneggiato o errato, lo sostituiremo gratuitamente: ti basterà contattarci entro 48 ore dalla consegna. Consulta la nostra pagina sui rimborsi per tutti i dettagli.
Spediamo in tutto il mondo, stampando presso il centro di produzione più vicino al tuo indirizzo di consegna. I tempi e i costi di spedizione variano in base alla destinazione: visualizzerai le opzioni disponibili al momento del pagamento.
Ogni stampa è realizzata su ordinazione mediante stampa giclée a 12 colori su carta d'archivio certificata FSC. Ideata in Gran Bretagna e stampata presso il centro di produzione più vicino a te per ridurre gli sprechi e velocizzare la consegna.
Caratteristiche specifiche
Ogni opera Solis è realizzata su ordinazione con materiali d'archivio di qualità museale, costruiti per durare nel tempo.
Cura e pulizia
Per mantenere la tua opera d'arte al meglio:
Materiali e dimensioni
Stampa giclée di qualità museale su carta opaca d'archivio certificata FSC, con opzioni di cornice e tela.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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