Fine Art Poster
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A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
A Knockout - George Bellows
Prezzo originale
£28.00 GBP
Prezzo scontato
£28.00 GBP
Prezzo originale
Stampa giclée d'archivio
Le cornici arrivano pronte per essere appese
Pagamento sicuro
Fatto su ordinazione
Descrizione
A powerful 1921 lithograph by George Bellows, capturing the raw intensity and dramatic tension of a boxing match.
George Bellows produced this lithograph in 1921, capturing the raw energy of early twentieth-century boxing. As a member of the Ashcan School, Bellows focused on the gritty realities of urban life, often turning his attention to the illicit prize fights held in private athletic clubs. This work displays the artist's mastery of light and shadow, using high-contrast tones to direct the viewer towards the central action.
The composition is dominated by the physical tension between the two boxers. One figure stands over his opponent, who lies prone on the canvas, creating a clear narrative of victory and defeat. Bellows employs energetic, gestural lines to convey the movement of the fighters and the chaotic atmosphere of the surrounding crowd. The spectators are rendered with expressive, almost grotesque features, which adds to the visceral quality of the scene. The darkness of the background pushes the figures into the foreground, ensuring the focus remains on the violence of the sport.
Bellows was an accomplished printmaker, and this lithograph demonstrates his ability to manipulate the medium to achieve a painterly effect. The textures of the skin, the canvas, and the clothing are differentiated through varied mark-making techniques. By choosing to depict this subject, Bellows engaged with the social dynamics of the era, where boxing served as a popular form of entertainment for working-class men. The print remains a direct observation of human behaviour under pressure, stripped of any unnecessary ornamentation. It is a stark representation of the physical exertion and the brutal nature of the ring, presented with the technical precision characteristic of Bellows's graphic work.
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Ogni stampa è realizzata su ordinazione mediante stampa giclée a 12 colori su carta d'archivio certificata FSC. Ideata in Gran Bretagna e stampata presso il centro di produzione più vicino a te per ridurre gli sprechi e velocizzare la consegna.
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Stampa giclée di qualità museale su carta opaca d'archivio certificata FSC, con opzioni di cornice e tela.
- Dimensioni carta: A4, A3, A2, A1, A0 e B2 (50×70 cm)
- Tela: da XS (20×30 cm) a Large (60×90 cm)
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A Knockout - George Bellows
Prezzo originale
Da £28.00 GBP
Prezzo scontato
Da £28.00 GBP
Prezzo originale
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
George Bellows
Bellows was six foot two and good enough at baseball to attract interest from the Cincinnati Reds. He chose painting instead, moved to New York in 1904, and studied under Robert Henri at the New York School of Art. Henri taught that art should engage with the messy reality of American life, not retreat into academic prettiness. Bellows took the instruction further than anyone in the group.
He painted boxing matches at Tom Sharkey's saloon, an illegal club near the Brooklyn waterfront where bare-knuckle fights happened in a back room. Stag at Sharkey's, painted in 1909 when he was twenty-six, shows two fighters locked together under electric light, the crowd surging at the edges of the canvas. The paint is applied with a violence that matches the subject.
He was the youngest artist associated with the Ashcan School and the boldest. While other members painted park benches and tenement laundry lines, Bellows painted excavation sites, shipyards, snow-covered lots, and river swimmers. The compositions are physically large, thickly painted, and arranged with an energy that makes the viewer feel as though the scene is still happening.
He worked as a newspaper sports illustrator to pay the bills, and the events he covered became paintings. In 1923 he was at the Polo Grounds on assignment for the New York Evening Journal when Luis Firpo knocked Jack Dempsey out of the ring and nearly into his lap. The painting he made of the moment reversed the punch to a left hook because the composition worked better that way. Accuracy was less important than impact.
He died of a ruptured appendix in 1925, at forty-two.
He painted boxing matches at Tom Sharkey's saloon, an illegal club near the Brooklyn waterfront where bare-knuckle fights happened in a back room. Stag at Sharkey's, painted in 1909 when he was twenty-six, shows two fighters locked together under electric light, the crowd surging at the edges of the canvas. The paint is applied with a violence that matches the subject.
He was the youngest artist associated with the Ashcan School and the boldest. While other members painted park benches and tenement laundry lines, Bellows painted excavation sites, shipyards, snow-covered lots, and river swimmers. The compositions are physically large, thickly painted, and arranged with an energy that makes the viewer feel as though the scene is still happening.
He worked as a newspaper sports illustrator to pay the bills, and the events he covered became paintings. In 1923 he was at the Polo Grounds on assignment for the New York Evening Journal when Luis Firpo knocked Jack Dempsey out of the ring and nearly into his lap. The painting he made of the moment reversed the punch to a left hook because the composition worked better that way. Accuracy was less important than impact.
He died of a ruptured appendix in 1925, at forty-two.
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Fine Art Framed
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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