Collection
Pietro Da Cortona
Explore curated art prints selected for distinctive homes and considered interiors.
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Madonna and Saints - Pietro da CortonaPrint
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Saint Margaret of Cortona Offering a Book to the Christ Child - Pietro da CortonaPrint · Framed
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The Golden Age - Pietro da CortonaPrint
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Portrait of Marcello Sacchetti - Pietro da CortonaPrint · Framed
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Virgin and Child with Saint Catherine of Alexandria - Pietro da CortonaPrint · Framed
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Ceiling Fresco in the Hall of Saturn - Pietro da CortonaPrint · Framed
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The Guardian Angel - Pietro da CortonaPrint · Framed
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Allegory of Divine Providence and Barberini Power - Pietro da CortonaPrint · Framed
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The Rape of the Sabine Women - Pietro da CortonaPrint · Framed
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Pietà - Pietro da CortonaPrint · Framed
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Title page from the Flora - Pietro da CortonaPrint · Framed
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The Age of Bronze - Pietro da CortonaPrint · Framed
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Venus Appearing to Aeneas as a Huntress - Pietro da CortonaPrint · Framed
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Church and Odysseus - Pietro da CortonaPrint · Framed · Canvas
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The Copper Age - Pietro da CortonaPrint
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Romulus and Remus Given Shelter by Faustulus - Pietro da CortonaPrint
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Ananias restoring the sight of Saint Paul - Pietro da CortonaPrint
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Holy Family Resting on the Flight to Egypt - Pietro da CortonaPrint
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The Triumph of Divine Providence - Pietro da CortonaPrint
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Landing of the Trojans at the Mouth of Tiberis - Pietro da CortonaPrint
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Ceiling Fresco with Medici Coat of Arms - Pietro da CortonaPrint
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The Age of Iron - Pietro da CortonaPrint
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The Alliance of Jacob and Laban - Pietro da CortonaPrint
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The Return of Hagar - Pietro da CortonaPrint
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Artist Biography
Pietro Da Cortona
Pietro da Cortona was one of three men who defined Roman Baroque: Bernini in sculpture, Borromini in architecture, Cortona in painting. His ceiling fresco Allegory of Divine Providence and Barberini Power (1633 to 1639) in the Palazzo Barberini was a watershed in illusionistic painting, and the model for every Baroque ceiling that followed it.
He was born Pietro Berrettini in Cortona, Tuscany, around 1596 and trained in Rome under Andrea Commodi and Baccio Ciarpi. He served as head of the Accademia di San Luca from 1634 to 1638. His architectural works include the facades of Santa Maria della Pace and Santa Maria in Via Lata, making him one of the rare artists of the period to excel equally as painter, architect and interior decorator.
His frescoes in the Palazzo Pitti in Florence (1637 to 1647) were his other major decorative cycle. He died in Rome in 1669, at seventy-two.
His influence on Baroque ceiling painting was immediate and lasting: every illusionistic fresco produced in Rome for the next century took the Barberini ceiling as its starting point, whether following Cortona's method or reacting against it. Few single paintings have shaped an entire tradition so decisively.
He was born Pietro Berrettini in Cortona, Tuscany, around 1596 and trained in Rome under Andrea Commodi and Baccio Ciarpi. He served as head of the Accademia di San Luca from 1634 to 1638. His architectural works include the facades of Santa Maria della Pace and Santa Maria in Via Lata, making him one of the rare artists of the period to excel equally as painter, architect and interior decorator.
His frescoes in the Palazzo Pitti in Florence (1637 to 1647) were his other major decorative cycle. He died in Rome in 1669, at seventy-two.
His influence on Baroque ceiling painting was immediate and lasting: every illusionistic fresco produced in Rome for the next century took the Barberini ceiling as its starting point, whether following Cortona's method or reacting against it. Few single paintings have shaped an entire tradition so decisively.
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