Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Weekend Cabin - Patrick Caulfield
Prix régulier
£28.00 GBP
Prix de vente
£28.00 GBP
Prix régulier
Giclée d'art
Les cadres sont livrés prêts à suspendre
Paiement sécurisé
Fabriqué sur commande
Description
A 1969 screenprint by Patrick Caulfield, featuring a simplified, graphic depiction of a cabin rendered in bold outlines and flat colour.
Weekend Cabin is a screenprint by the British artist Patrick Caulfield, produced in 1969. The work demonstrates the artist's characteristic approach to subject matter, which often involved the reduction of everyday objects to their most basic, graphic forms. Caulfield employs a stark, simplified aesthetic that draws upon the visual language of commercial signage and illustration.
The composition is defined by a bold, black outline that separates the cabin from its flat, green background. The structure itself is rendered in shades of grey, with specific elements like the shutters and door panels picked out in a contrasting green. By removing texture, shadow, and atmospheric perspective, Caulfield forces the viewer to engage with the image as a series of shapes and lines rather than a realistic depiction of a building. This method of representation is a hallmark of his practice, which frequently questioned the nature of perception and the way we interpret familiar imagery.
Caulfield was associated with the Pop Art movement, yet his work maintains a distinct, cool detachment that separates it from the more exuberant or ironic output of his contemporaries. His interest in the interplay between the flat surface of the print and the suggestion of three-dimensional space is evident here. The cabin appears as a schematic, almost architectural, icon. The lack of human presence or environmental detail adds to the sense of stillness within the work. This print is a clear example of his ability to transform mundane subjects into objects of formal interest through the use of clean lines and a restricted, deliberate colour palette. It remains a representative piece of late 1960s British printmaking, reflecting a period when artists were increasingly exploring the boundaries between fine art and graphic design.
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Fabrication
Chaque impression est réalisée à la commande par impression giclée 12 couleurs sur papier d'archivage certifié FSC. Conçue en Grande-Bretagne et imprimée dans votre centre de production le plus proche afin de réduire le gaspillage et d'accélérer la livraison.
Entretien et matériaux
Caractéristiques spécifiques
Chaque pièce Solis est fabriquée sur commande avec des matériaux de qualité galerie, conçus pour durer, destinés à la conservation.
- Impression giclée de qualité musée pour des couleurs riches et résistantes à la décoloration
- Papier beaux-arts mat d'archivage, certifié FSC
- Plusieurs tailles et options d'encadrement disponibles
- Cadres en noir, bois naturel, bois foncé ou blanc
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Entretien et nettoyage
Pour conserver votre œuvre en parfait état :
- Époussetez délicatement avec un chiffon doux et sec
- Évitez l'exposition directe et prolongée au soleil
- N'utilisez jamais de nettoyants liquides sur la surface de l'impression ou de la toile
- Conservez dans un endroit sec à température ambiante
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Matériaux et dimensions
Impression giclée de qualité musée sur papier mat d'archivage certifié FSC, avec options d'encadrement et sur toile.
- Formats de papier : A4, A3, A2, A1, A0 et B2 (50×70 cm)
- Toile : du XS (20×30 cm) au Grand (60×90 cm)
- Cadres : noir, bois naturel, bois foncé ou blanc
Complétez le look
Weekend Cabin - Patrick Caulfield
Prix régulier
À partir de £28.00 GBP
Prix de vente
À partir de £28.00 GBP
Prix régulier
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Patrick Caulfield
Caulfield left school at fifteen and got a job as a filing clerk at Crosse and Blackwell, the food company. He was moved to the design studio, where he washed brushes and varnished chocolates for display cases. He decided to become an artist after watching the 1952 film Moulin Rouge about Toulouse-Lautrec.
He joined the RAF at seventeen for national service, then studied at the Royal College of Art from 1960 to 1963, alongside Hockney, Allen Jones, R.B. Kitaj, and Derek Boshier. The 1964 New Generation exhibition at the Whitechapel Gallery tagged him as Pop Art. He rejected the label for the rest of his life, calling himself a formal artist.
His paintings use bold, flat outlines and blocks of colour. They depict interiors, still lifes, restaurants, and domestic scenes with a deadpan quality that sits somewhere between commercial illustration and painting. The spaces are often empty or nearly so. A potted plant, a wine glass, a candle: the objects are ordinary but the treatment makes them strange. He was nominated for the Turner Prize in 1987. David Bowie and Charles Saatchi both collected his work. He died in 2005. The street in Acton where he was born was renamed Caulfield Road.
He joined the RAF at seventeen for national service, then studied at the Royal College of Art from 1960 to 1963, alongside Hockney, Allen Jones, R.B. Kitaj, and Derek Boshier. The 1964 New Generation exhibition at the Whitechapel Gallery tagged him as Pop Art. He rejected the label for the rest of his life, calling himself a formal artist.
His paintings use bold, flat outlines and blocks of colour. They depict interiors, still lifes, restaurants, and domestic scenes with a deadpan quality that sits somewhere between commercial illustration and painting. The spaces are often empty or nearly so. A potted plant, a wine glass, a candle: the objects are ordinary but the treatment makes them strange. He was nominated for the Turner Prize in 1987. David Bowie and Charles Saatchi both collected his work. He died in 2005. The street in Acton where he was born was renamed Caulfield Road.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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