Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Twenty-Four Hours at Shinbashi and Yanagibashi: 12 Noon - Tsukioka Yoshitoshi
Prix régulier
£28.00 GBP
Prix de vente
£28.00 GBP
Prix régulier
Giclée d'art
Les cadres sont livrés prêts à suspendre
Paiement sécurisé
Fabriqué sur commande
Description
A Meiji-period woodblock print by Tsukioka Yoshitoshi depicting a woman at noon, featuring an inset scene of a photographer.
This woodblock print by Tsukioka Yoshitoshi belongs to the series 'Twenty-Four Hours at Shinbashi and Yanagibashi', produced in 1880. The series captures the daily lives of geisha in the entertainment districts of Tokyo during the Meiji period. This specific sheet depicts the hour of noon, featuring a woman seated in a Western-style chair, a detail that reflects the rapid modernisation of Japanese society at the time.
The composition is divided into two distinct areas. The lower section presents a portrait of a woman in a dark kimono, her hair styled in a traditional manner, seated beside a small table covered with a purple cloth decorated with floral motifs. A potted plant sits upon this table, providing a natural element against the bold, red background. The upper section contains an inset illustration showing a photographer beneath a dark cloth, operating a large camera on a tripod. This inclusion of contemporary technology serves as a visual marker of the era, contrasting the traditional attire of the woman with the emerging tools of the late nineteenth century.
Yoshitoshi was a master of the late Ukiyo-e tradition, known for his ability to blend traditional aesthetics with the changing social climate of Japan. His work often contains narrative elements, as seen here in the combination of the portrait and the inset scene. The print demonstrates the technical precision of Meiji-era woodblock printing, with clear lines and a controlled colour palette. The juxtaposition of the domestic interior and the outdoor photographic scene offers a glimpse into the intersection of private life and public modernisation. This print remains a valuable record of the cultural shifts occurring in Tokyo during the late 1800s, documenting both fashion and the introduction of new mechanical arts.
Politique de retour
Comme chaque impression est réalisée à la commande, nous n'acceptons ni les retours, ni les remboursements, ni les échanges pour cause de changement d'avis. Si votre commande arrive défectueuse, endommagée ou non conforme, nous la remplacerons gratuitement — contactez-nous simplement dans les 48 heures suivant la livraison. Consultez notre page de remboursement pour plus de détails.
Expédition
Nous livrons dans le monde entier, en imprimant depuis le centre de production le plus proche de votre adresse de livraison. Les délais et les frais de livraison varient selon la destination ; vous verrez les options qui s'offrent à vous lors du paiement.
Fabrication
Chaque impression est réalisée à la commande par impression giclée 12 couleurs sur papier d'archivage certifié FSC. Conçue en Grande-Bretagne et imprimée dans votre centre de production le plus proche afin de réduire le gaspillage et d'accélérer la livraison.
Entretien et matériaux
Caractéristiques spécifiques
Chaque pièce Solis est fabriquée sur commande avec des matériaux de qualité galerie, conçus pour durer, destinés à la conservation.
- Impression giclée de qualité musée pour des couleurs riches et résistantes à la décoloration
- Papier beaux-arts mat d'archivage, certifié FSC
- Plusieurs tailles et options d'encadrement disponibles
- Cadres en noir, bois naturel, bois foncé ou blanc
- Les impressions encadrées sont livrées prêtes à accrocher
Entretien et nettoyage
Pour conserver votre œuvre en parfait état :
- Époussetez délicatement avec un chiffon doux et sec
- Évitez l'exposition directe et prolongée au soleil
- N'utilisez jamais de nettoyants liquides sur la surface de l'impression ou de la toile
- Conservez dans un endroit sec à température ambiante
- Manipulez les impressions avec des mains propres et sèches
Matériaux et dimensions
Impression giclée de qualité musée sur papier mat d'archivage certifié FSC, avec options d'encadrement et sur toile.
- Formats de papier : A4, A3, A2, A1, A0 et B2 (50×70 cm)
- Toile : du XS (20×30 cm) au Grand (60×90 cm)
- Cadres : noir, bois naturel, bois foncé ou blanc
Complétez le look
Twenty-Four Hours at Shinbashi and Yanagibashi: 12 Noon - Tsukioka Yoshitoshi
Prix régulier
À partir de £28.00 GBP
Prix de vente
À partir de £28.00 GBP
Prix régulier
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Yoshitoshi
Yoshitoshi, born Tsukioka Kin'ichi, was arguably the last great master of ukiyo-e. He witnessed the decline of traditional Japanese woodblock printing during the Meiji era, as photography and Western printing techniques gained popularity. Despite this, Yoshitoshi was determined to revitalise the art form, experimenting with new subjects and styles. His efforts ensured ukiyo-e's survival into the 20th century. He is known for his series *One Hundred Aspects of the Moon*. Other notable works include *Beautiful Woman with Fan*, *Desire*, and *Akashi*.
Yoshitoshi's art is characterised by its dramatic intensity and historical themes. He was fascinated by the supernatural, often depicting ghosts, demons, and scenes of violence. His mentor was Utagawa Kuniyoshi, who also explored similar themes. Yoshitoshi's skill in portraying emotion and movement, combined with his mastery of colour and composition, made his prints stand out. His work reflects a turbulent period in Japanese history, capturing the anxieties and uncertainties of a society undergoing rapid change.
Collectors are drawn to Yoshitoshi's prints for their striking imagery and historical value. His works offer a glimpse into a transitional period in Japan, blending traditional artistic techniques with modern sensibilities. His prints appeal to those who appreciate art that is both visually stunning and intellectually stimulating, preserving a vital part of Japanese cultural heritage.
Yoshitoshi's art is characterised by its dramatic intensity and historical themes. He was fascinated by the supernatural, often depicting ghosts, demons, and scenes of violence. His mentor was Utagawa Kuniyoshi, who also explored similar themes. Yoshitoshi's skill in portraying emotion and movement, combined with his mastery of colour and composition, made his prints stand out. His work reflects a turbulent period in Japanese history, capturing the anxieties and uncertainties of a society undergoing rapid change.
Collectors are drawn to Yoshitoshi's prints for their striking imagery and historical value. His works offer a glimpse into a transitional period in Japan, blending traditional artistic techniques with modern sensibilities. His prints appeal to those who appreciate art that is both visually stunning and intellectually stimulating, preserving a vital part of Japanese cultural heritage.
Made to order
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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