The Boston Sunday Herald, Supplément Mode, 24 mars - Ethel Reed

Ethel Reed, a name now whispered with a mix of admiration and melancholy, was a blazing comet across the late 19th-century American art scene. Born in 1874, she emerged as a prodigiously talented graphic artist during the poster craze of the 1890s. Her boldly decorative and Symbolist-tinged designs, often featuring striking women and floral motifs, quickly garnered attention. Reed became the first American woman to achieve international recognition in the field of poster design, her works displayed alongside those of masters like Toulouse-Lautrec.

At a time when the Art Nouveau movement was captivating Europe and America, Reed put her own unique spin on the style. She was known for her innovative use of colour and composition, and her posters were highly sought after by collectors. Some of her most celebrated works include posters for "The Chap-Book" and "An Arabian Night's Entertainment." Her career, however, was tragically short-lived.

Despite her early success, Reed's personal life was marred by turmoil. A failed romance led her to London, where she struggled to maintain her artistic momentum. Ethel Reed's story serves as a poignant reminder of the fleeting nature of fame and the challenges faced by women artists in a male-dominated era. Though her output was relatively small, her impact on graphic design remains significant, and her posters continue to enchant viewers with their beauty and originality.