Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A detailed etching by Ludwig Zentner, after Bartholomeus Breenbergh, depicting riders passing by classical ruins in a mountainous setting.
This etching by Ludwig Zentner depicts a scene of classical decay, featuring riders traversing a path near crumbling stone structures. The composition follows the conventions of the picturesque, a style popularised in the late eighteenth century. Zentner, a German engraver and printmaker, often reproduced the works of earlier masters. This particular print is based on a composition by the Dutch painter Bartholomeus Breenbergh, as indicated by the inscription 'Breenberg pinx' at the bottom left.
The visual focus is split between the heavy, textured masonry of the ruin on the left and the open, atmospheric vista that stretches towards distant mountains. A solitary, gnarled tree acts as a vertical anchor, bridging the foreground and the sky. The riders are small in scale, serving to provide a sense of human proportion against the vastness of the terrain. The etching technique employs varied line weights to suggest the rough texture of weathered stone, the softness of foliage, and the expansive quality of the clouds.
Zentner was known for his technical precision in translating the painterly qualities of original canvases into the medium of print. His work reflects the period's fascination with the remnants of antiquity and the romanticised view of the natural world. The print captures the quiet stillness of a journey through an environment where history and nature intersect. The use of light and shadow creates a sense of depth, drawing the eye from the immediate foreground into the hazy, mountainous background. This piece is a fine example of late eighteenth-century reproductive printmaking, demonstrating the skill required to convey tonal variation through the use of etched lines alone.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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Museum-Quality Materials
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