Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Plate Two: Satyr Carrying a Nymph on His Back and Led by a Youth - Jean-Honoré Fragonard
Prix régulier
£28.00 GBP
Prix de vente
£28.00 GBP
Prix régulier
Giclée d'art
Les cadres sont livrés prêts à suspendre
Paiement sécurisé
Fabriqué sur commande
Description
A delicate etching by Jean-Honoré Fragonard depicting a mythological scene of a satyr, a nymph, and a youth within a circular frame.
This etching by Jean-Honoré Fragonard depicts a classical mythological scene, rendered with the fluid, energetic line work characteristic of his graphic output. The composition centres on a satyr, identifiable by his goat-like legs, carrying a nymph upon his back. A youth leads the pair forward, creating a sense of movement within the circular frame. The figures are set against a background of foliage, executed with quick, hatched strokes that suggest the wild, untamed nature of the forest setting.
Fragonard, a master of the French Rococo, produced this work during a period when he explored themes of pastoral fantasy and classical antiquity. The etching demonstrates his ability to translate the spontaneity of his drawings into the print medium. The figures possess a lightness of touch, typical of his approach to mythological subjects, which often prioritised grace and narrative charm over rigid academic structure. The circular framing device, or tondo, draws the eye inward, focusing attention on the interaction between the three figures. The surrounding vegetation is treated with a looser, more gestural style, providing a contrast to the more defined anatomy of the central group.
This print is part of a series of etchings that reflect the artist's interest in the decorative potential of classical motifs. The work captures the light-hearted, often playful spirit of the mid-eighteenth-century French aesthetic. By employing varied line weights, Fragonard creates a sense of volume and texture, particularly in the rendering of the satyr's fur and the nymph's drapery. The work remains a clear example of the artist's technical facility with the etching needle, showcasing his preference for expressive, rather than purely descriptive, mark-making. It offers a glimpse into the private, imaginative world of an artist who excelled at capturing fleeting moments of mythological narrative.
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Fabrication
Chaque impression est réalisée à la commande par impression giclée 12 couleurs sur papier d'archivage certifié FSC. Conçue en Grande-Bretagne et imprimée dans votre centre de production le plus proche afin de réduire le gaspillage et d'accélérer la livraison.
Entretien et matériaux
Caractéristiques spécifiques
Chaque pièce Solis est fabriquée sur commande avec des matériaux de qualité galerie, conçus pour durer, destinés à la conservation.
- Impression giclée de qualité musée pour des couleurs riches et résistantes à la décoloration
- Papier beaux-arts mat d'archivage, certifié FSC
- Plusieurs tailles et options d'encadrement disponibles
- Cadres en noir, bois naturel, bois foncé ou blanc
- Les impressions encadrées sont livrées prêtes à accrocher
Entretien et nettoyage
Pour conserver votre œuvre en parfait état :
- Époussetez délicatement avec un chiffon doux et sec
- Évitez l'exposition directe et prolongée au soleil
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- Conservez dans un endroit sec à température ambiante
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Matériaux et dimensions
Impression giclée de qualité musée sur papier mat d'archivage certifié FSC, avec options d'encadrement et sur toile.
- Formats de papier : A4, A3, A2, A1, A0 et B2 (50×70 cm)
- Toile : du XS (20×30 cm) au Grand (60×90 cm)
- Cadres : noir, bois naturel, bois foncé ou blanc
Complétez le look
Plate Two: Satyr Carrying a Nymph on His Back and Led by a Youth - Jean-Honoré Fragonard
Prix régulier
À partir de £28.00 GBP
Prix de vente
À partir de £28.00 GBP
Prix régulier
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Jean Honore Fragonard
The Swing was commissioned by a courtier who wanted himself depicted looking up his mistress's skirt as she swung above. A bishop pushes the swing in the background. The original commissioner first approached another painter, who refused the subject as undignified. Fragonard accepted.
He was born in Grasse, in Provence, in 1732. He trained under Boucher, the leading Rococo painter, won the Prix de Rome, and spent five years in Italy studying Tiepolo and the Baroque illusionists. He painted so-called figures de fantaisie, full portraits, in about an hour each. He was enormously prolific: over 550 paintings are attributed to him.
The Revolution destroyed his client base. The aristocracy who bought his paintings were dead, exiled, or ruined. Jacques-Louis David, the leading Revolutionary painter and stylistically his opposite, intervened on his behalf. David got Fragonard appointed to an administrative arts committee, which likely saved his life. This is remarkable: David was sending former aristocrats to the guillotine while protecting their favourite painter. Fragonard also helped organise what would become the Louvre's collection.
He lost his position under Napoleon and died in 1806. The story that he died eating an ice on a hot day is probably anecdotal but frequently repeated. His reputation collapsed after death and was not revived for fifty years.
He was born in Grasse, in Provence, in 1732. He trained under Boucher, the leading Rococo painter, won the Prix de Rome, and spent five years in Italy studying Tiepolo and the Baroque illusionists. He painted so-called figures de fantaisie, full portraits, in about an hour each. He was enormously prolific: over 550 paintings are attributed to him.
The Revolution destroyed his client base. The aristocracy who bought his paintings were dead, exiled, or ruined. Jacques-Louis David, the leading Revolutionary painter and stylistically his opposite, intervened on his behalf. David got Fragonard appointed to an administrative arts committee, which likely saved his life. This is remarkable: David was sending former aristocrats to the guillotine while protecting their favourite painter. Fragonard also helped organise what would become the Louvre's collection.
He lost his position under Napoleon and died in 1806. The story that he died eating an ice on a hot day is probably anecdotal but frequently repeated. His reputation collapsed after death and was not revived for fifty years.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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