Fine Art Poster
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A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Percival Delivering Belisane from the Enchantment of Urma - Henry Fuseli
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£28.00 GBP
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£28.00 GBP
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Giclée d'art
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Description
A dramatic oil painting by Henry Fuseli depicting a scene from the medieval romance 'Perceforest', characterised by intense chiaroscuro and theatrical tension.
Henry Fuseli, a figure of the late eighteenth-century art world, produced this work in 1783. It depicts a scene from the medieval romance 'Perceforest', where the knight Percival rescues Belisane from the sorcery of Urma. Fuseli, known for his interest in the supernatural and the dramatic, employs a chiaroscuro technique to heighten the tension of the narrative. The composition focuses on the physical struggle of the knight against the unseen forces of the enchantment, while Belisane appears in a state of distress, her form illuminated against the surrounding gloom.
The painting demonstrates the artist's preference for theatrical gestures and exaggerated anatomy, which were common features of his approach to history painting. The figures are arranged in a tight, claustrophobic space, suggesting the oppressive nature of the magical trap. Fuseli uses a dark, moody palette to emphasise the nocturnal setting and the psychological weight of the encounter. The spectral faces emerging from the shadows on the left add a layer of unease, characteristic of the artist's fascination with the macabre and the irrational. By focusing on this specific moment of rescue, Fuseli captures the emotional intensity of the literary source material rather than a literal depiction of the text.
This work reflects the broader interest in Gothic themes that permeated British art during this period. Fuseli's style, influenced by his study of Michelangelo and the Mannerists, prioritises expressive power over classical balance. The sharp contrast between the light on the figures and the deep shadows creates a sense of urgency. It is a prime example of how Fuseli transformed literary subjects into visual experiences that prioritise atmosphere and drama.
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Chaque impression est réalisée à la commande par impression giclée 12 couleurs sur papier d'archivage certifié FSC. Conçue en Grande-Bretagne et imprimée dans votre centre de production le plus proche afin de réduire le gaspillage et d'accélérer la livraison.
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Impression giclée de qualité musée sur papier mat d'archivage certifié FSC, avec options d'encadrement et sur toile.
- Formats de papier : A4, A3, A2, A1, A0 et B2 (50×70 cm)
- Toile : du XS (20×30 cm) au Grand (60×90 cm)
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Percival Delivering Belisane from the Enchantment of Urma - Henry Fuseli
Prix régulier
À partir de £28.00 GBP
Prix de vente
À partir de £28.00 GBP
Prix régulier
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Henry Fuseli
Fuseli reportedly ate raw pork chops before bed to induce nightmares for painting inspiration. The story may be apocryphal, but The Nightmare (1781), which shows a woman draped unconscious over a bed with an incubus squatting on her chest and a horse's head emerging from the darkness, suggests the method, if it existed, worked.
He was born Johann Heinrich Fussli in Zurich in 1741, the second of eighteen children. He was ordained as a minister in 1761 but forced to leave Switzerland after helping expose a corrupt magistrate. He spent eight years in Rome, changed his name from Fussli to the Italianate Fuseli, and arrived in London with a taste for the violent, the erotic, and the supernatural.
William Blake, not easily impressed, said of him: the only man that e'er I knew who did not make me almost spew. This was a compliment. Blake meant Fuseli was the only person who did not disgust him. Their friendship lasted decades. Fuseli married his model Sophia Rawlins in 1788. He became Keeper of the Royal Academy and grew increasingly conservative in his politics despite having started as a radical. He died in 1825, aged eighty-four, and was buried in St Paul's Cathedral.
He was born Johann Heinrich Fussli in Zurich in 1741, the second of eighteen children. He was ordained as a minister in 1761 but forced to leave Switzerland after helping expose a corrupt magistrate. He spent eight years in Rome, changed his name from Fussli to the Italianate Fuseli, and arrived in London with a taste for the violent, the erotic, and the supernatural.
William Blake, not easily impressed, said of him: the only man that e'er I knew who did not make me almost spew. This was a compliment. Blake meant Fuseli was the only person who did not disgust him. Their friendship lasted decades. Fuseli married his model Sophia Rawlins in 1788. He became Keeper of the Royal Academy and grew increasingly conservative in his politics despite having started as a radical. He died in 1825, aged eighty-four, and was buried in St Paul's Cathedral.
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Fine Art Framed
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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