Fine Art Poster
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A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Martyrdom of St. Agatha - Giovanni Domenico Tiepolo
Prix régulier
£28.00 GBP
Prix de vente
£28.00 GBP
Prix régulier
Giclée d'art
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Description
A detailed etching by Giovanni Domenico Tiepolo depicting the martyrdom of Saint Agatha, rendered with expressive line work and dramatic light.
This etching by Giovanni Domenico Tiepolo depicts the final moments of Saint Agatha, a third-century martyr. The composition is arranged within a rounded arch, a common format for religious prints of the eighteenth century. Tiepolo employs a dynamic, energetic line to define the figures, capturing the tension of the scene through expressive gestures and dramatic lighting. The central figure of the saint is positioned at the base of a column, her gaze directed upward toward a celestial vision of a crown of thorns held by cherubs.
To her left, a soldier stands with a spear, his form rendered with bold, confident strokes that contrast with the softer, more vulnerable depiction of the saint. The artist uses varied hatching techniques to create depth and texture, from the heavy shadows in the background to the delicate folds of the saint's garments. The inscription at the bottom identifies the work as an invention of his father, Giovanni Battista Tiepolo, with the etching executed by Domenico himself. This collaborative dynamic was common in the Tiepolo workshop, where the son frequently translated his father's painted compositions into the medium of print.
The work reflects the theatricality of the Venetian Rococo period. Rather than focusing on the graphic violence of the martyrdom, the artist chooses to focus on the spiritual transition of the subject. The interplay of light and shadow, combined with the fluid, calligraphic quality of the etching needle, demonstrates the technical proficiency of the younger Tiepolo. This print serves as a record of the stylistic transition between the grand decorative schemes of the father and the more intimate, narrative-driven works of the son. It remains a fine example of eighteenth-century Italian printmaking, capturing both the technical rigour and the emotional gravity of the period.
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Fabrication
Chaque impression est réalisée à la commande par impression giclée 12 couleurs sur papier d'archivage certifié FSC. Conçue en Grande-Bretagne et imprimée dans votre centre de production le plus proche afin de réduire le gaspillage et d'accélérer la livraison.
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Caractéristiques spécifiques
Chaque pièce Solis est fabriquée sur commande avec des matériaux de qualité galerie, conçus pour durer, destinés à la conservation.
- Impression giclée de qualité musée pour des couleurs riches et résistantes à la décoloration
- Papier beaux-arts mat d'archivage, certifié FSC
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Matériaux et dimensions
Impression giclée de qualité musée sur papier mat d'archivage certifié FSC, avec options d'encadrement et sur toile.
- Formats de papier : A4, A3, A2, A1, A0 et B2 (50×70 cm)
- Toile : du XS (20×30 cm) au Grand (60×90 cm)
- Cadres : noir, bois naturel, bois foncé ou blanc
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Martyrdom of St. Agatha - Giovanni Domenico Tiepolo
Prix régulier
À partir de £28.00 GBP
Prix de vente
À partir de £28.00 GBP
Prix régulier
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Giovanni Domenico Tiepolo
The younger Tiepolo spent the last twenty years of his life drawing Punchinello. He produced 104 sketches of the hunchbacked commedia dell'arte clown, subtitled "Entertainments for the Children", though the satire was aimed at adults. The drawings show Punchinello eating, dancing, courting, being executed, and being buried, a complete biography of a fictional fool used to lampoon the pretensions of Venetian society.
He was born in Venice in 1727, the eldest son of Giovanni Battista Tiepolo, the greatest ceiling painter in Europe. By thirteen he was his father's chief assistant; by twenty he was producing independent commissions. He assisted at Wurzburg (1751 to 1753), at the Villa Valmarana in Vicenza (1757), and at the Royal Palace in Madrid (1762 to 1770).
His father's death in Madrid in 1770 freed him to develop his own direction. He returned to Venice and turned increasingly away from the luminous Baroque grandeur of his father's work toward genre scenes, religious subjects treated with narrative intimacy, and the Punchinello drawings that became his finest achievement. In retirement at the family villa at Zianigo, he painted frescoes now in the Correr Museum and produced nearly two hundred etchings. He died in Venice in 1804, at seventy-six.
He was born in Venice in 1727, the eldest son of Giovanni Battista Tiepolo, the greatest ceiling painter in Europe. By thirteen he was his father's chief assistant; by twenty he was producing independent commissions. He assisted at Wurzburg (1751 to 1753), at the Villa Valmarana in Vicenza (1757), and at the Royal Palace in Madrid (1762 to 1770).
His father's death in Madrid in 1770 freed him to develop his own direction. He returned to Venice and turned increasingly away from the luminous Baroque grandeur of his father's work toward genre scenes, religious subjects treated with narrative intimacy, and the Punchinello drawings that became his finest achievement. In retirement at the family villa at Zianigo, he painted frescoes now in the Correr Museum and produced nearly two hundred etchings. He died in Venice in 1804, at seventy-six.
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Fine Art Framed
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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