Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Le Rose du bleu (RE 22) - Yves Klein
Prix régulier
£37.00 GBP
Prix de vente
£37.00 GBP
Prix régulier
Giclée d'art
Les cadres sont livrés prêts à suspendre
Paiement sécurisé
Fabriqué sur commande
Description
A textured monochrome relief by Yves Klein, featuring natural sponges saturated with intense pink pigment on canvas.
Yves Klein is widely recognised for his exploration of pure colour and the physical properties of paint. While he is most associated with his signature International Klein Blue, his practice extended into other monochromatic fields, including gold and pink. Le Rose du bleu (RE 22), created in 1960, belongs to a series of relief works where Klein incorporated natural sponges into the surface of the canvas. These sponges, saturated with pigment, create a textured, three-dimensional topography that interacts with light and shadow.
The work presents a monochromatic field of intense pink, punctuated by the porous, organic forms of the sponges. By attaching these objects to the canvas, Klein moved beyond the flat plane of traditional painting, inviting the viewer to consider the material presence of the medium itself. The sponges act as physical manifestations of the colour, absorbing and holding the pigment in a way that creates variations in tone across the surface. This approach reflects his interest in the immaterial and the sensory experience of art.
Klein often described his monochromatic works as open windows to the infinite. In this piece, the repetition of the sponge forms provides a rhythmic structure against the uniform background. The contrast between the smooth, flat areas of the canvas and the rough, irregular texture of the sponges creates a tension that defines the composition. This work is a clear example of Klein's desire to liberate colour from the constraints of form and representation, allowing it to exist as an autonomous force. The choice of pink, a colour he associated with the spiritual and the cosmic, further emphasises his conceptual approach to the act of painting.
Politique de retour
Comme chaque impression est réalisée à la commande, nous n'acceptons ni les retours, ni les remboursements, ni les échanges pour cause de changement d'avis. Si votre commande arrive défectueuse, endommagée ou non conforme, nous la remplacerons gratuitement — contactez-nous simplement dans les 48 heures suivant la livraison. Consultez notre page de remboursement pour plus de détails.
Expédition
Nous livrons dans le monde entier, en imprimant depuis le centre de production le plus proche de votre adresse de livraison. Les délais et les frais de livraison varient selon la destination ; vous verrez les options qui s'offrent à vous lors du paiement.
Fabrication
Chaque impression est réalisée à la commande par impression giclée 12 couleurs sur papier d'archivage certifié FSC. Conçue en Grande-Bretagne et imprimée dans votre centre de production le plus proche afin de réduire le gaspillage et d'accélérer la livraison.
Entretien et matériaux
Caractéristiques spécifiques
Chaque pièce Solis est fabriquée sur commande avec des matériaux de qualité galerie, conçus pour durer, destinés à la conservation.
- Impression giclée de qualité musée pour des couleurs riches et résistantes à la décoloration
- Papier beaux-arts mat d'archivage, certifié FSC
- Plusieurs tailles et options d'encadrement disponibles
- Cadres en noir, bois naturel, bois foncé ou blanc
- Les impressions encadrées sont livrées prêtes à accrocher
Entretien et nettoyage
Pour conserver votre œuvre en parfait état :
- Époussetez délicatement avec un chiffon doux et sec
- Évitez l'exposition directe et prolongée au soleil
- N'utilisez jamais de nettoyants liquides sur la surface de l'impression ou de la toile
- Conservez dans un endroit sec à température ambiante
- Manipulez les impressions avec des mains propres et sèches
Matériaux et dimensions
Impression giclée de qualité musée sur papier mat d'archivage certifié FSC, avec options d'encadrement et sur toile.
- Formats de papier : A4, A3, A2, A1, A0 et B2 (50×70 cm)
- Toile : du XS (20×30 cm) au Grand (60×90 cm)
- Cadres : noir, bois naturel, bois foncé ou blanc
Complétez le look
Le Rose du bleu (RE 22) - Yves Klein
Prix régulier
À partir de £37.00 GBP
Prix de vente
À partir de £37.00 GBP
Prix régulier
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Yves Klein
Klein patented a colour. International Klein Blue, or IKB, is an ultramarine pigment suspended in a synthetic resin that keeps the colour saturated and matte. He registered it in 1960. The blue is so intense it appears to absorb light. He covered canvases, sponges, plaster casts, and globe sculptures in it. He covered naked women in it and pressed them against canvas (he called them 'Anthropometries' and performed the process in front of an audience while a chamber orchestra played his Monotone-Silence Symphony: twenty minutes of a single sustained chord followed by twenty minutes of silence).
He was born in Nice to artist parents and grew up between France, England, and Spain. He studied judo seriously, earning a fourth-degree black belt in Tokyo, and considered martial arts and art as related disciplines: both requiring control, precision, and the projection of force.
He exhibited an empty gallery in 1958 and called it Le Vide (The Void). Over three thousand people attended the opening. The gallery walls were painted white. There was nothing else. He served blue cocktails at the door. He sold invisible paintings (Zones of Immaterial Pictorial Sensibility) for gold, then threw half the gold into the Seine and burned the receipt.
He died of a heart attack in 1962, at thirty-four. His career lasted roughly eight years. In that time he made the monochromes, the Anthropometries, the fire paintings, the sponge sculptures, the void exhibitions, and enough theoretical writing to fill several volumes. He remains one of the most influential artists of the post-war period, which he would have considered insufficient recognition.
He was born in Nice to artist parents and grew up between France, England, and Spain. He studied judo seriously, earning a fourth-degree black belt in Tokyo, and considered martial arts and art as related disciplines: both requiring control, precision, and the projection of force.
He exhibited an empty gallery in 1958 and called it Le Vide (The Void). Over three thousand people attended the opening. The gallery walls were painted white. There was nothing else. He served blue cocktails at the door. He sold invisible paintings (Zones of Immaterial Pictorial Sensibility) for gold, then threw half the gold into the Seine and burned the receipt.
He died of a heart attack in 1962, at thirty-four. His career lasted roughly eight years. In that time he made the monochromes, the Anthropometries, the fire paintings, the sponge sculptures, the void exhibitions, and enough theoretical writing to fill several volumes. He remains one of the most influential artists of the post-war period, which he would have considered insufficient recognition.
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Pourquoi nous choisir ?
Garantie de livraison sans dommage
Expédition rapide
Matériaux de qualité musée
Vous aimerez peut-être aussi