Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Kalenderblad september met twee staande eenden - Theo van Hoytema
Prix régulier
£28.00 GBP
Prix de vente
£28.00 GBP
Prix régulier
Giclée d'art
Les cadres sont livrés prêts à suspendre
Paiement sécurisé
Fabriqué sur commande
Description
A 1902 lithographic calendar page by Theo van Hoytema, featuring two ducks framed by decorative floral motifs in a muted, naturalistic style.
This lithograph by Theo van Hoytema represents a single page from his 1902 calendar series. Van Hoytema, a Dutch artist known for his focus on animal subjects, produced several calendars that combined his interest in natural history with the decorative principles of the Art Nouveau movement. The composition features two ducks, one light and one dark, positioned within a textured, naturalistic setting. The birds are rendered with careful attention to their plumage and posture, reflecting the artist's background in biological illustration.
The central image is framed by a decorative border of stylised floral motifs, which are repeated in the calendar grid below. The typography and the layout of the dates are integrated into the overall design, balancing the organic forms of the ducks with the geometric structure of the calendar. The colour palette is restrained, relying on muted earth tones and soft ochre to maintain a cohesive aesthetic. This approach was typical of Van Hoytema's work, where he sought to bring the natural world into the domestic sphere through functional objects like calendars and posters.
Van Hoytema's technique as a lithographer allowed him to achieve subtle gradations of tone, particularly in the feathers of the ducks and the background foliage. The work demonstrates his ability to synthesise observation with graphic design. By placing the ducks in a quiet, contained space, he creates a sense of stillness. The inclusion of the calendar grid does not detract from the artistic quality of the print, but rather demonstrates how commercial art of the period sought to elevate everyday items through thoughtful composition and technical skill. This print remains a representative example of Dutch graphic design from the early twentieth century, showing the influence of both Japanese woodblock prints and the European Art Nouveau style.
Politique de retour
Comme chaque impression est réalisée à la commande, nous n'acceptons ni les retours, ni les remboursements, ni les échanges pour cause de changement d'avis. Si votre commande arrive défectueuse, endommagée ou non conforme, nous la remplacerons gratuitement — contactez-nous simplement dans les 48 heures suivant la livraison. Consultez notre page de remboursement pour plus de détails.
Expédition
Nous livrons dans le monde entier, en imprimant depuis le centre de production le plus proche de votre adresse de livraison. Les délais et les frais de livraison varient selon la destination ; vous verrez les options qui s'offrent à vous lors du paiement.
Fabrication
Chaque impression est réalisée à la commande par impression giclée 12 couleurs sur papier d'archivage certifié FSC. Conçue en Grande-Bretagne et imprimée dans votre centre de production le plus proche afin de réduire le gaspillage et d'accélérer la livraison.
Entretien et matériaux
Caractéristiques spécifiques
Chaque pièce Solis est fabriquée sur commande avec des matériaux de qualité galerie, conçus pour durer, destinés à la conservation.
- Impression giclée de qualité musée pour des couleurs riches et résistantes à la décoloration
- Papier beaux-arts mat d'archivage, certifié FSC
- Plusieurs tailles et options d'encadrement disponibles
- Cadres en noir, bois naturel, bois foncé ou blanc
- Les impressions encadrées sont livrées prêtes à accrocher
Entretien et nettoyage
Pour conserver votre œuvre en parfait état :
- Époussetez délicatement avec un chiffon doux et sec
- Évitez l'exposition directe et prolongée au soleil
- N'utilisez jamais de nettoyants liquides sur la surface de l'impression ou de la toile
- Conservez dans un endroit sec à température ambiante
- Manipulez les impressions avec des mains propres et sèches
Matériaux et dimensions
Impression giclée de qualité musée sur papier mat d'archivage certifié FSC, avec options d'encadrement et sur toile.
- Formats de papier : A4, A3, A2, A1, A0 et B2 (50×70 cm)
- Toile : du XS (20×30 cm) au Grand (60×90 cm)
- Cadres : noir, bois naturel, bois foncé ou blanc
Complétez le look
Kalenderblad september met twee staande eenden - Theo van Hoytema
Prix régulier
À partir de £28.00 GBP
Prix de vente
À partir de £28.00 GBP
Prix régulier
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Theo Van Hoytema
Theo van Hoytema, a Dutch artist born in 1863, is best known for his captivating Jugendstil (Art Nouveau) lithographs of birds and plants. Unlike many of his contemporaries who embraced industrialisation, Van Hoytema found solace and inspiration in the natural world, meticulously studying and depicting its intricate details. What sets Van Hoytema apart is his deep understanding of lithography, a printing technique he mastered to create works of astonishing detail and texture. He wasn't just an artist; he was a craftsman who poured his heart into every stage of the printmaking process.
Van Hoytema's career took an unexpected turn when he became deeply involved with the Theosophical Society. This spiritual quest profoundly influenced his art, leading him to explore themes of interconnectedness and the underlying unity of all living things. His designs became more symbolic, reflecting his belief in a hidden order within nature. Despite facing financial struggles throughout his life, Van Hoytema remained committed to his artistic vision, producing a body of work that continues to enchant and inspire.
Though he died in relative obscurity in 1917, Theo van Hoytema's legacy has experienced a well-deserved revival. His prints, particularly those featuring storks, owls, and other birds, are now highly sought after by collectors and art enthusiasts. They offer a glimpse into a world where nature is both beautiful and deeply meaningful, a testament to Van Hoytema's unique artistic vision and his unwavering dedication to his craft.
Van Hoytema's career took an unexpected turn when he became deeply involved with the Theosophical Society. This spiritual quest profoundly influenced his art, leading him to explore themes of interconnectedness and the underlying unity of all living things. His designs became more symbolic, reflecting his belief in a hidden order within nature. Despite facing financial struggles throughout his life, Van Hoytema remained committed to his artistic vision, producing a body of work that continues to enchant and inspire.
Though he died in relative obscurity in 1917, Theo van Hoytema's legacy has experienced a well-deserved revival. His prints, particularly those featuring storks, owls, and other birds, are now highly sought after by collectors and art enthusiasts. They offer a glimpse into a world where nature is both beautiful and deeply meaningful, a testament to Van Hoytema's unique artistic vision and his unwavering dedication to his craft.
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Expédition rapide
Matériaux de qualité musée
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