Fine Art Poster
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A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
In a Villa at the Seaside - Berthe Morisot
Prix régulier
£28.00 GBP
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£28.00 GBP
Prix régulier
Giclée d'art
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Description
A quiet, atmospheric scene by Berthe Morisot, capturing a woman and child on a balcony overlooking the sea in 1874.
Berthe Morisot painted In a Villa at the Seaside during the summer of 1874, while staying in the coastal town of Fécamp. This work captures a quiet moment on a balcony overlooking the English Channel. A woman, dressed in a dark, voluminous skirt and a light jacket, sits with a young child who leans against the wooden railing. The composition relies on the contrast between the solid, dark forms of the figures and the airy, light-filled expanse of the sea and sky.
Morisot employs a loose, rapid brushwork that defines the Impressionist approach. She does not seek to capture every detail of the scene. Instead, she focuses on the quality of light and the atmosphere of the seaside. The wooden balcony, rendered in shades of brown and ochre, frames the view, while the turquoise water is suggested with quick, horizontal strokes. The sky is a pale wash of blue and pink, reflecting the soft light of a coastal day. The figures are positioned to the left, creating a sense of informal observation, as if the viewer has happened upon this scene by chance.
This painting demonstrates Morisot's ability to balance domestic subjects with the technical innovations of her contemporaries. She often depicted women and children in private or semi-private spaces, providing a perspective on nineteenth-century life that was distinct from the male-dominated scenes of Parisian boulevards. The work remains an example of her skill in handling paint to suggest texture, such as the fabric of the woman's dress or the weathered wood of the railing. By limiting her palette to soft tones, she maintains a sense of harmony across the canvas. The painting is currently held in the collection of the Norton Simon Museum.
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Chaque impression est réalisée à la commande par impression giclée 12 couleurs sur papier d'archivage certifié FSC. Conçue en Grande-Bretagne et imprimée dans votre centre de production le plus proche afin de réduire le gaspillage et d'accélérer la livraison.
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Chaque pièce Solis est fabriquée sur commande avec des matériaux de qualité galerie, conçus pour durer, destinés à la conservation.
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Impression giclée de qualité musée sur papier mat d'archivage certifié FSC, avec options d'encadrement et sur toile.
- Formats de papier : A4, A3, A2, A1, A0 et B2 (50×70 cm)
- Toile : du XS (20×30 cm) au Grand (60×90 cm)
- Cadres : noir, bois naturel, bois foncé ou blanc
Complétez le look
In a Villa at the Seaside - Berthe Morisot
Prix régulier
À partir de £28.00 GBP
Prix de vente
À partir de £28.00 GBP
Prix régulier
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Berthe Morisot
Morisot outsold Monet, Renoir, and Sisley at the 1875 Hotel Drouot auction. Her Interior fetched 480 francs, the highest price of the sale. Her death certificate listed her profession as none.
She was born in Bourges in 1841. Her parents built a studio in the family garden for Berthe and her sister Edma, who was equally talented. Edma abandoned painting when she married a naval officer in 1869. Berthe, having lost her collaborator, held on harder. She exhibited ten works at the first Impressionist exhibition in 1874, the only woman showing. She participated in every Impressionist show except 1879, the year her daughter Julie was born.
Edouard Manet painted her portrait repeatedly before she married his brother Eugene in 1874. She had sworn to stay single. Eugene gave up his own painting ambitions so she could pursue hers. Whatever the nature of her relationship with Edouard, it produced some of his finest portraits and left a subject that art historians have been circling for over a century.
She painted the domestic world of women with a directness that the male Impressionists could not access: mothers and daughters, women at their toilette, the garden, the drawing room. The brushwork is rapid and unfinished-looking, more so than Monet's. She died of pneumonia in 1895, aged fifty-four, caught while nursing her daughter through the same illness. She wrote to sixteen-year-old Julie the day before.
She was born in Bourges in 1841. Her parents built a studio in the family garden for Berthe and her sister Edma, who was equally talented. Edma abandoned painting when she married a naval officer in 1869. Berthe, having lost her collaborator, held on harder. She exhibited ten works at the first Impressionist exhibition in 1874, the only woman showing. She participated in every Impressionist show except 1879, the year her daughter Julie was born.
Edouard Manet painted her portrait repeatedly before she married his brother Eugene in 1874. She had sworn to stay single. Eugene gave up his own painting ambitions so she could pursue hers. Whatever the nature of her relationship with Edouard, it produced some of his finest portraits and left a subject that art historians have been circling for over a century.
She painted the domestic world of women with a directness that the male Impressionists could not access: mothers and daughters, women at their toilette, the garden, the drawing room. The brushwork is rapid and unfinished-looking, more so than Monet's. She died of pneumonia in 1895, aged fifty-four, caught while nursing her daughter through the same illness. She wrote to sixteen-year-old Julie the day before.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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