Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Homage to the Square: Blue & Green - Josef Albers
Prix régulier
£37.00 GBP
Prix de vente
£37.00 GBP
Prix régulier
Giclée d'art
Les cadres sont livrés prêts à suspendre
Paiement sécurisé
Fabriqué sur commande
Description
A classic example of Josef Albers's Homage to the Square series, exploring the optical interaction of blue and green tones within a nested geometric structure.
Josef Albers began his extensive Homage to the Square series in 1950, continuing this rigorous investigation of colour interaction until his death in 1976. This work features a nested arrangement of squares, a format that allowed Albers to isolate the effects of chromatic juxtaposition. By placing specific hues in proximity, he explored how colours appear to advance, recede, or vibrate against one another, depending on their relative saturation and temperature.
In this particular composition, the cool, light blue outer border provides a neutral frame for the inner squares. A dark, forest green square sits within this perimeter, followed by a lighter, grass green square, and finally a deep, saturated blue square at the centre. The application of paint is precise, reflecting Albers's interest in the mechanical and systematic nature of perception. He applied the paint directly from the tube onto masonite, often using a palette knife to ensure a flat, uniform surface that minimises the presence of the artist's hand.
Albers, a former teacher at the Bauhaus, maintained that colour is the most relative medium in art. He argued that a colour is never seen as it really is, but rather as it is influenced by its neighbours. This series functions as a visual laboratory, stripping away narrative, gesture, and symbolic content to focus entirely on the mechanics of human sight. The rigid, mathematical structure of the squares serves as a constant, allowing the viewer to observe the shifting relationships between the chosen pigments. This print captures the clarity and intellectual rigour of Albers's approach, offering a study in the balance of cool tones and the optical tension created by their specific arrangement.
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Fabrication
Chaque impression est réalisée à la commande par impression giclée 12 couleurs sur papier d'archivage certifié FSC. Conçue en Grande-Bretagne et imprimée dans votre centre de production le plus proche afin de réduire le gaspillage et d'accélérer la livraison.
Entretien et matériaux
Caractéristiques spécifiques
Chaque pièce Solis est fabriquée sur commande avec des matériaux de qualité galerie, conçus pour durer, destinés à la conservation.
- Impression giclée de qualité musée pour des couleurs riches et résistantes à la décoloration
- Papier beaux-arts mat d'archivage, certifié FSC
- Plusieurs tailles et options d'encadrement disponibles
- Cadres en noir, bois naturel, bois foncé ou blanc
- Les impressions encadrées sont livrées prêtes à accrocher
Entretien et nettoyage
Pour conserver votre œuvre en parfait état :
- Époussetez délicatement avec un chiffon doux et sec
- Évitez l'exposition directe et prolongée au soleil
- N'utilisez jamais de nettoyants liquides sur la surface de l'impression ou de la toile
- Conservez dans un endroit sec à température ambiante
- Manipulez les impressions avec des mains propres et sèches
Matériaux et dimensions
Impression giclée de qualité musée sur papier mat d'archivage certifié FSC, avec options d'encadrement et sur toile.
- Formats de papier : A4, A3, A2, A1, A0 et B2 (50×70 cm)
- Toile : du XS (20×30 cm) au Grand (60×90 cm)
- Cadres : noir, bois naturel, bois foncé ou blanc
Complétez le look
Homage to the Square: Blue & Green - Josef Albers
Prix régulier
À partir de £37.00 GBP
Prix de vente
À partir de £37.00 GBP
Prix régulier
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Josef Albers
Albers arrived at Black Mountain College in November 1933, unable to speak English. His wife Anni spoke on his behalf; she was fluent. They had fled Germany weeks earlier. Under the Nuremberg Laws, Anni, who was Jewish, was at risk. The Bauhaus had been forced to close. Philip Johnson, then a curator at MoMA, had arranged the position.
He was born in 1888 in Bottrop, Westphalia, into a Roman Catholic craftsman's family. He worked as a schoolteacher for five years before deciding to study art, joining the Bauhaus as a student in 1920 and becoming a faculty member by 1922. He married Anni Fleischmann, a Bauhaus textile student, in 1925.
At Black Mountain, his students included Robert Rauschenberg, Cy Twombly, Ruth Asawa, and Ray Johnson. He left in 1950 to head the Department of Design at Yale, where he taught until retirement in 1958. The teaching produced Interaction of Color (1963), a text arguing that colour can only be understood in context, never in isolation. It remains a standard reference.
The Homage to the Square series occupied the rest of his life: nested squares of colour, painted obsessively, with every pigment and proportion meticulously recorded. The paintings look simple. The colour relationships within them are not. He died in 1976.
He was born in 1888 in Bottrop, Westphalia, into a Roman Catholic craftsman's family. He worked as a schoolteacher for five years before deciding to study art, joining the Bauhaus as a student in 1920 and becoming a faculty member by 1922. He married Anni Fleischmann, a Bauhaus textile student, in 1925.
At Black Mountain, his students included Robert Rauschenberg, Cy Twombly, Ruth Asawa, and Ray Johnson. He left in 1950 to head the Department of Design at Yale, where he taught until retirement in 1958. The teaching produced Interaction of Color (1963), a text arguing that colour can only be understood in context, never in isolation. It remains a standard reference.
The Homage to the Square series occupied the rest of his life: nested squares of colour, painted obsessively, with every pigment and proportion meticulously recorded. The paintings look simple. The colour relationships within them are not. He died in 1976.
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Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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