Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Et in Arcadia ego - Nicolas Poussin
Prix régulier
£28.00 GBP
Prix de vente
£28.00 GBP
Prix régulier
Giclée d'art
Les cadres sont livrés prêts à suspendre
Paiement sécurisé
Fabriqué sur commande
Description
A classic Baroque composition by Nicolas Poussin, depicting shepherds contemplating a tomb in an idyllic setting, exploring themes of mortality.
Nicolas Poussin, a central figure of the French Baroque, painted this work during his time in Rome. It depicts three shepherds and a female figure gathered around a stone tomb in a rural setting. The title, translated as 'Even in Arcadia, there am I', refers to the presence of death within an idyllic, pastoral realm. The composition is balanced and orderly, reflecting the artist's interest in classical antiquity and rational structure.
The figures are arranged in a frieze-like manner, echoing the relief sculptures of ancient sarcophagi. One shepherd kneels to trace the inscription on the tomb, while his companions observe with expressions of contemplation. The lighting is clear and even, avoiding the dramatic chiaroscuro often associated with the period. Instead, Poussin employs a measured approach to colour and form, prioritising clarity of narrative and intellectual rigour.
This painting is the second version of the subject by Poussin, following an earlier, more dynamic composition now held in Chatsworth House. The Louvre version is noted for its calm, meditative quality. The figures wear classical drapery, and the setting is a generalised, timeless countryside. Poussin's work invites the viewer to consider the inevitability of mortality, a common theme in seventeenth-century European art. The painting remains a primary example of the artist's ability to synthesise classical philosophy with visual storytelling, creating a scene that is both intellectually demanding and visually harmonious.
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Fabrication
Chaque impression est réalisée à la commande par impression giclée 12 couleurs sur papier d'archivage certifié FSC. Conçue en Grande-Bretagne et imprimée dans votre centre de production le plus proche afin de réduire le gaspillage et d'accélérer la livraison.
Entretien et matériaux
Caractéristiques spécifiques
Chaque pièce Solis est fabriquée sur commande avec des matériaux de qualité galerie, conçus pour durer, destinés à la conservation.
- Impression giclée de qualité musée pour des couleurs riches et résistantes à la décoloration
- Papier beaux-arts mat d'archivage, certifié FSC
- Plusieurs tailles et options d'encadrement disponibles
- Cadres en noir, bois naturel, bois foncé ou blanc
- Les impressions encadrées sont livrées prêtes à accrocher
Entretien et nettoyage
Pour conserver votre œuvre en parfait état :
- Époussetez délicatement avec un chiffon doux et sec
- Évitez l'exposition directe et prolongée au soleil
- N'utilisez jamais de nettoyants liquides sur la surface de l'impression ou de la toile
- Conservez dans un endroit sec à température ambiante
- Manipulez les impressions avec des mains propres et sèches
Matériaux et dimensions
Impression giclée de qualité musée sur papier mat d'archivage certifié FSC, avec options d'encadrement et sur toile.
- Formats de papier : A4, A3, A2, A1, A0 et B2 (50×70 cm)
- Toile : du XS (20×30 cm) au Grand (60×90 cm)
- Cadres : noir, bois naturel, bois foncé ou blanc
Complétez le look
Et in Arcadia ego - Nicolas Poussin
Prix régulier
À partir de £28.00 GBP
Prix de vente
À partir de £28.00 GBP
Prix régulier
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Nicolas Poussin
Nicolas Poussin, a towering figure of French Classicism, wasn't always destined for artistic greatness. Born near Les Andelys, Normandy, in 1594, his early life was marked by struggle and self-directed study. He resisted his family's expectations, running away to Paris to pursue his passion, a bold move that reveals the fierce determination underpinning his serene and intellectual compositions. It was this unwavering commitment, coupled with a deep study of classical antiquity and Renaissance masters, that shaped his distinctive style.
Poussin's artistic vision was rooted in order, reason, and harmony. Unlike the dramatic flair of the Baroque, Poussin sought clarity and balance in his paintings. His meticulously planned compositions, populated with figures inspired by ancient sculpture, evoke a sense of timelessness and moral virtue. Key works like "The Death of Germanicus" and "The Rape of the Sabine Women" exemplify his dedication to historical and mythological subjects, rendered with a controlled palette and precise draughtsmanship.
Although he spent a significant portion of his career in Rome, Poussin's influence on French art was profound. He became a touchstone for generations of artists seeking to emulate his intellectual approach and classical ideals. His legacy extends beyond individual paintings; it encompasses a philosophy of art that values intellect, order, and the pursuit of ideal beauty. Poussin died in Rome in 1665, leaving behind a body of work that continues to inspire awe and intellectual engagement.
Poussin's artistic vision was rooted in order, reason, and harmony. Unlike the dramatic flair of the Baroque, Poussin sought clarity and balance in his paintings. His meticulously planned compositions, populated with figures inspired by ancient sculpture, evoke a sense of timelessness and moral virtue. Key works like "The Death of Germanicus" and "The Rape of the Sabine Women" exemplify his dedication to historical and mythological subjects, rendered with a controlled palette and precise draughtsmanship.
Although he spent a significant portion of his career in Rome, Poussin's influence on French art was profound. He became a touchstone for generations of artists seeking to emulate his intellectual approach and classical ideals. His legacy extends beyond individual paintings; it encompasses a philosophy of art that values intellect, order, and the pursuit of ideal beauty. Poussin died in Rome in 1665, leaving behind a body of work that continues to inspire awe and intellectual engagement.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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