Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Aristotle - Luca Giordano
Prix régulier
£37.00 GBP
Prix de vente
£37.00 GBP
Prix régulier
Giclée d'art
Les cadres sont livrés prêts à suspendre
Paiement sécurisé
Fabriqué sur commande
Description
A dramatic Baroque portrait of Aristotle by Luca Giordano, featuring the philosopher with a geometric text, rendered in a tenebrist style.
Luca Giordano, a prolific Neapolitan painter of the seventeenth century, produced this depiction of the philosopher Aristotle during his early career. The work reflects the influence of Jusepe de Ribera, particularly in the treatment of the subject as a weathered, elderly figure. Giordano employs a tenebrist approach, where the figure emerges from a dark, indistinct background, focusing the viewer's attention on the philosopher's expressive face and hands.
Aristotle is shown holding an open book, his finger pointing to a geometric diagram. The text on the page reads, 'IL SAPERE NELLE AVERSITAE REFVGGIO; NELLE SPERITA ORNAMENTO', which translates to 'Knowledge is a refuge in adversity, an ornament in prosperity'. This inclusion of moralising text is characteristic of the period's interest in combining classical philosophy with didactic visual art. The brushwork is confident and fluid, typical of Giordano's rapid execution, which earned him the nickname 'Luca fa presto' (Luca makes haste).
The palette is restricted to earth tones, including deep browns, ochres, and muted whites, which enhance the gravity of the subject. The lighting is dramatic, catching the texture of the skin and the folds of the simple garment, creating a sense of physical presence. This painting belongs to a series of philosopher portraits that Giordano executed, often using models from the streets of Naples to lend a sense of realism to his historical subjects. The composition is tight, focusing on the upper torso and the interaction between the figure and the book, ensuring the viewer engages directly with the philosophical message presented by the artist.
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Expédition
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Fabrication
Chaque impression est réalisée à la commande par impression giclée 12 couleurs sur papier d'archivage certifié FSC. Conçue en Grande-Bretagne et imprimée dans votre centre de production le plus proche afin de réduire le gaspillage et d'accélérer la livraison.
Entretien et matériaux
Caractéristiques spécifiques
Chaque pièce Solis est fabriquée sur commande avec des matériaux de qualité galerie, conçus pour durer, destinés à la conservation.
- Impression giclée de qualité musée pour des couleurs riches et résistantes à la décoloration
- Papier beaux-arts mat d'archivage, certifié FSC
- Plusieurs tailles et options d'encadrement disponibles
- Cadres en noir, bois naturel, bois foncé ou blanc
- Les impressions encadrées sont livrées prêtes à accrocher
Entretien et nettoyage
Pour conserver votre œuvre en parfait état :
- Époussetez délicatement avec un chiffon doux et sec
- Évitez l'exposition directe et prolongée au soleil
- N'utilisez jamais de nettoyants liquides sur la surface de l'impression ou de la toile
- Conservez dans un endroit sec à température ambiante
- Manipulez les impressions avec des mains propres et sèches
Matériaux et dimensions
Impression giclée de qualité musée sur papier mat d'archivage certifié FSC, avec options d'encadrement et sur toile.
- Formats de papier : A4, A3, A2, A1, A0 et B2 (50×70 cm)
- Toile : du XS (20×30 cm) au Grand (60×90 cm)
- Cadres : noir, bois naturel, bois foncé ou blanc
Complétez le look
Aristotle - Luca Giordano
Prix régulier
À partir de £37.00 GBP
Prix de vente
À partir de £37.00 GBP
Prix régulier
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Luca Giordano
Giordano admitted he had a gold brush, a silver brush and a bronze brush. The quality of his paintings ranged from brilliant to mediocre depending on how much attention he gave them, and he gave attention unevenly because he painted faster than anyone in seventeenth-century Europe. His nickname was Luca fa presto: Luca paints quickly. He reportedly completed a large altarpiece in a single day.
He was born in Naples in 1634 and trained under Jusepe de Ribera. Around 1652 he travelled to Rome, where he absorbed Pietro da Cortona's Baroque dynamism and studied the High Renaissance masters. His other nickname, Proteus, came from his ability to produce convincing pastiches in the style of almost any painter: Durer, Titian, Veronese. The skill was admired rather than criticised; versatility was a virtue in Baroque Naples.
In 1692, Charles II of Spain invited him to Madrid, where he spent ten years painting frescoes in the Escorial, the Royal Palace and other buildings. His Spanish work is among his best: the scale suited his ambition, and the court demanded the gold brush. He returned to Naples in 1702 after the king's death.
His late paintings, lighter and less rhetorical than his Roman-influenced middle period, anticipated the Rococo. Fragonard admired them a generation later. Giordano was generous with money, particularly to poorer artists, and spent large sums on acts of patronage and charity. His output was enormous, running to thousands of works across oil and fresco. He died in Naples in 1705, at seventy.
He was born in Naples in 1634 and trained under Jusepe de Ribera. Around 1652 he travelled to Rome, where he absorbed Pietro da Cortona's Baroque dynamism and studied the High Renaissance masters. His other nickname, Proteus, came from his ability to produce convincing pastiches in the style of almost any painter: Durer, Titian, Veronese. The skill was admired rather than criticised; versatility was a virtue in Baroque Naples.
In 1692, Charles II of Spain invited him to Madrid, where he spent ten years painting frescoes in the Escorial, the Royal Palace and other buildings. His Spanish work is among his best: the scale suited his ambition, and the court demanded the gold brush. He returned to Naples in 1702 after the king's death.
His late paintings, lighter and less rhetorical than his Roman-influenced middle period, anticipated the Rococo. Fragonard admired them a generation later. Giordano was generous with money, particularly to poorer artists, and spent large sums on acts of patronage and charity. His output was enormous, running to thousands of works across oil and fresco. He died in Naples in 1705, at seventy.
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Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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