Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
À la Halle - Paul Gavarni
Prix régulier
£28.00 GBP
Prix de vente
£28.00 GBP
Prix régulier
Giclée d'art
Les cadres sont livrés prêts à suspendre
Paiement sécurisé
Fabriqué sur commande
Description
A detailed lithograph by Paul Gavarni depicting a market worker in mid-nineteenth-century Paris, from the Physionomies Parisiennes series.
This lithograph, titled À la Halle, originates from the series Physionomies Parisiennes, a collection of works by Paul Gavarni that documented the diverse characters of mid-nineteenth-century Paris. Gavarni, a prolific illustrator and caricaturist, possessed a keen eye for the social strata of the city. He frequently turned his attention away from the bourgeoisie to observe the working classes, street vendors, and market workers who populated the capital.
The subject is a woman standing within the bustling environment of Les Halles, the central market of Paris. Her posture is weary, reflecting the physical demands of her labour. Gavarni employs a fluid, expressive line to capture her form, using the lithographic crayon to create varied textures in her clothing and the surrounding sacks of produce. The composition is sparse, focusing entirely on the figure, which allows the viewer to observe the details of her attire, including the headscarf and apron, without distraction. The background is suggested with minimal strokes, grounding the figure in a specific, albeit simplified, location.
Gavarni was known for his ability to convey personality through posture and facial expression. In this print, the woman's profile suggests a quiet dignity amidst the chaos of the market. The work is characteristic of his later period, where his style moved toward a more observational, less overtly comedic approach than his earlier fashion plates. By documenting these figures, Gavarni provided a visual record of the social fabric of Paris during the July Monarchy. This print is a fine example of his technical skill in lithography, demonstrating his command over light, shadow, and the human form. It remains a valuable piece for those interested in the history of French illustration and the social history of nineteenth-century urban life.
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Fabrication
Chaque impression est réalisée à la commande par impression giclée 12 couleurs sur papier d'archivage certifié FSC. Conçue en Grande-Bretagne et imprimée dans votre centre de production le plus proche afin de réduire le gaspillage et d'accélérer la livraison.
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Caractéristiques spécifiques
Chaque pièce Solis est fabriquée sur commande avec des matériaux de qualité galerie, conçus pour durer, destinés à la conservation.
- Impression giclée de qualité musée pour des couleurs riches et résistantes à la décoloration
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Matériaux et dimensions
Impression giclée de qualité musée sur papier mat d'archivage certifié FSC, avec options d'encadrement et sur toile.
- Formats de papier : A4, A3, A2, A1, A0 et B2 (50×70 cm)
- Toile : du XS (20×30 cm) au Grand (60×90 cm)
- Cadres : noir, bois naturel, bois foncé ou blanc
Complétez le look
À la Halle - Paul Gavarni
Prix régulier
À partir de £28.00 GBP
Prix de vente
À partir de £28.00 GBP
Prix régulier
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Paul Gavarni
Gavarni was imprisoned for debt in 1835 after his magazine, the Journal of High Society, failed after eighteen issues. He served nearly a year. The experience did not prevent him from becoming the most stylish caricaturist in Paris, but it may explain the darkness that crept into his later work.
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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