Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
A distant view of the Citadel, Corfu - Edward Lear
Prix régulier
£37.00 GBP
Prix de vente
£37.00 GBP
Prix régulier
Giclée d'art
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Description
A serene watercolour view of the Citadel in Corfu by Edward Lear, capturing the atmospheric light and coastal geography of the Ionian island.
Edward Lear, known primarily for his nonsense verse, was a highly skilled topographical draughtsman and painter. This work captures the Ionian island of Corfu, a location Lear visited frequently during his travels across the Mediterranean. The composition employs a framing device, using the silhouettes of foreground trees to guide the viewer's eye toward the distant Citadel and the expansive sea beyond.
Lear utilised a delicate watercolour technique, layering washes to achieve the atmospheric quality of the Greek light. The palette remains restrained, relying on soft blues, pale greens, and warm ochre tones to define the coastal geography. A solitary figure appears on the path in the lower foreground, providing a sense of scale against the vastness of the bay. The mountains in the background are rendered with minimal detail, suggesting the hazy conditions often observed in the region.
Throughout his career, Lear produced numerous views of Corfu, documenting the island's geography with precision. His approach to these subjects combined scientific observation with a romantic sensibility. He often annotated his sketches with colour notes and geographical details, which he later refined into finished watercolours for his patrons. This piece reflects his ability to balance the technical requirements of topographical art with a personal, evocative interpretation of the Mediterranean environment. The work remains a clear example of the nineteenth-century tradition of the travelling artist, documenting foreign locales for a British audience interested in the classical world and the picturesque qualities of the Ionian coast.
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Fabrication
Chaque impression est réalisée à la commande par impression giclée 12 couleurs sur papier d'archivage certifié FSC. Conçue en Grande-Bretagne et imprimée dans votre centre de production le plus proche afin de réduire le gaspillage et d'accélérer la livraison.
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Caractéristiques spécifiques
Chaque pièce Solis est fabriquée sur commande avec des matériaux de qualité galerie, conçus pour durer, destinés à la conservation.
- Impression giclée de qualité musée pour des couleurs riches et résistantes à la décoloration
- Papier beaux-arts mat d'archivage, certifié FSC
- Plusieurs tailles et options d'encadrement disponibles
- Cadres en noir, bois naturel, bois foncé ou blanc
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Matériaux et dimensions
Impression giclée de qualité musée sur papier mat d'archivage certifié FSC, avec options d'encadrement et sur toile.
- Formats de papier : A4, A3, A2, A1, A0 et B2 (50×70 cm)
- Toile : du XS (20×30 cm) au Grand (60×90 cm)
- Cadres : noir, bois naturel, bois foncé ou blanc
Complétez le look
A distant view of the Citadel, Corfu - Edward Lear
Prix régulier
À partir de £37.00 GBP
Prix de vente
À partir de £37.00 GBP
Prix régulier
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Edward Lear
By the time Edward Lear was 20, he had completed his scientific illustration volume on parrots for the Zoological Society of London, a project that caught the attention of the 13th Earl of Derby. That commission led to a five-year residency at Knowsley Hall, where Lear drew the Earl's private menagerie and, for the grandchildren of the household, filled notebooks with limericks and comic drawings. A Book of Nonsense was published in 1846; the expanded edition under his own name in 1861 established him as the forefather of the limerick as a literary form.
His landscape career ran simultaneously. From the 1840s he made extended sketching tours through Italy, Albania, Greece, Egypt, Palestine, India, and Ceylon, producing illustrated travel journals of careful documentary precision. In 1846 Queen Victoria sought him out as a drawing teacher, having admired his Italian lithographs; he gave her twelve lessons. Brief study under William Holman Hunt in 1852 introduced Pre-Raphaelite rigour to his oils, though his watercolours and pen-and-ink drawings remain his most direct legacy.
Lear suffered from epilepsy throughout his life, calling it the Demon and concealing it carefully from a society ill-equipped to understand it. He was severely shortsighted from childhood and lived with considerable loneliness, despite the warmth of his nonsense verse. He settled in San Remo in 1871, eventually naming his house Villa Tennyson after his close friend Alfred, Lord Tennyson, for whom he composed settings of 212 poems.
His cat, Foss, was his companion for 15 years. When Lear moved to a larger house in San Remo, he had it built to identical proportions so Foss would not be disoriented. Foss died two months before Lear, in January 1888. The Owl and the Pussycat (1871), containing the word runcible spoon, now in everyday English use, is his most enduring poem.
His landscape career ran simultaneously. From the 1840s he made extended sketching tours through Italy, Albania, Greece, Egypt, Palestine, India, and Ceylon, producing illustrated travel journals of careful documentary precision. In 1846 Queen Victoria sought him out as a drawing teacher, having admired his Italian lithographs; he gave her twelve lessons. Brief study under William Holman Hunt in 1852 introduced Pre-Raphaelite rigour to his oils, though his watercolours and pen-and-ink drawings remain his most direct legacy.
Lear suffered from epilepsy throughout his life, calling it the Demon and concealing it carefully from a society ill-equipped to understand it. He was severely shortsighted from childhood and lived with considerable loneliness, despite the warmth of his nonsense verse. He settled in San Remo in 1871, eventually naming his house Villa Tennyson after his close friend Alfred, Lord Tennyson, for whom he composed settings of 212 poems.
His cat, Foss, was his companion for 15 years. When Lear moved to a larger house in San Remo, he had it built to identical proportions so Foss would not be disoriented. Foss died two months before Lear, in January 1888. The Owl and the Pussycat (1871), containing the word runcible spoon, now in everyday English use, is his most enduring poem.
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Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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