Collection
Utagawa Toyokuni I
Explore curated art prints selected for distinctive homes and considered interiors.
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The Actor Ōtani Tomoemon in the Role of Ono Sadakurō - Utagawa Toyokuni I
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Picking Clams - Utagawa Toyokuni I
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The actor Arashi Ryuzo II as the money lender Ishibe Kinkichi - Utagawa Toyokuni I
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Courtesans Promenading on the Nakanochō in Yoshiwara - Utagawa Toyokuni I
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Women and an Infant Boy in a Public Bath House - Utagawa Toyokuni I
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Kabuki Actor Segawa Kikunojō III in a Mad Female Role - Utagawa Toyokuni I
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Kabuki Actors: Bando Mitsugorō and Iwai Hanshirō - Utagawa Toyokuni I
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Ichikawa Komazō II as Akaneya Hanshichi - Utagawa Toyokuni I
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Famous Beauty Escorted by Women of Different Rank - Utagawa Toyokuni I
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Four Women Passing a Group of Trees - Utagawa Toyokuni I
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The First Visit of the Cuckoo - Utagawa Toyokuni I
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Onoe Matsusuke as the Ghost of the Murdered Wife Oiwa, in _A Tale of Horror from the Yotsuya Station on the Tokaido Road_ - Utagawa Toyokuni I
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Scene from a Drama - Utagawa Toyokuni I
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Ichikawa Komazō II in the Role of Akaneya Hanshichi from the Play Hadesugata On'a Maiginu - Utagawa Toyokuni I
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The Actor Segawa Roko as the Woodseller Ohara Leading an Ox - Utagawa Toyokuni I
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Actor Nakamura Utayemon with Two Women Preparing for the New Year Ceremony - Utagawa Toyokuni I
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Representation of the Dance-Play _Dōjōji_ - Utagawa Toyokuni I
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Two Women in a Boat; One Holding a Basket of Mussels - Utagawa Toyokuni I
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Print of a Kabuki Dancer from the Maiden of the Dōjōji Temple (Musume Dōjōji) - Utagawa Toyokuni I
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An Actor Beside Water - Utagawa Toyokuni I
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Ichikawa Komazō III in the Role of Kameō with Iwai Kumesaburō in the Role of Kameō's Wife, Oyasu, from the Play Shunkan futatsu omokage - Utagawa Toyokuni I
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Women on a Veranda - Utagawa Toyokuni I
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The Geisha To’e as a Vendor of Poems, from the series Gion Festival Costume Parade (Gion mikoshi arai nerimono sugata) - Utagawa Toyokuni I
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Ushiwaka-maru in Armour - Utagawa Toyokuni I
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Artist Biography
Utagawa Toyokuni I
"My pictures are merely something that I draw, and nothing more than that." Toyokuni's self-assessment was modest to the point of dishonesty. He transformed kabuki actor portraiture from stiff formal likenesses into dynamic images of performers in character on stage, and in doing so built the most commercially powerful woodblock print studio in Edo.
He was born in 1769, the son of a puppet maker. He studied under Utagawa Toyoharu, founder of the Utagawa school, and followed convention by taking one syllable of his master's name. His early work synthesised the styles of Utamaro, Eishi and Choki through close study and relentless practice. By the mid-1790s he had found his own voice. Yakusha Butai no Sugatae (Portraits of Actors in Their Various Roles), a series of large polychrome prints produced between 1794 and 1796, showed kabuki actors costumed and posed on stage rather than seated in formal dress. The series was a commercial triumph and set the standard for actor portraiture for the next generation.
He also excelled at bijin-ga, pictures of beautiful women, establishing compositions that ukiyo-e artists followed for decades. His innovations extended to format: he pioneered the use of diptych, triptych and polyptych arrangements that allowed more complex narrative compositions than the single sheet could hold.
As demand surged, Toyokuni's studio expanded until his personal involvement in each print became nominal. The quality of his later work declined, but the school he built survived him. His two most gifted pupils, Kunisada and Kuniyoshi, became major figures in their own right, and the Utagawa school dominated ukiyo-e production through the final decades of the Edo period. He died in 1825.
He was born in 1769, the son of a puppet maker. He studied under Utagawa Toyoharu, founder of the Utagawa school, and followed convention by taking one syllable of his master's name. His early work synthesised the styles of Utamaro, Eishi and Choki through close study and relentless practice. By the mid-1790s he had found his own voice. Yakusha Butai no Sugatae (Portraits of Actors in Their Various Roles), a series of large polychrome prints produced between 1794 and 1796, showed kabuki actors costumed and posed on stage rather than seated in formal dress. The series was a commercial triumph and set the standard for actor portraiture for the next generation.
He also excelled at bijin-ga, pictures of beautiful women, establishing compositions that ukiyo-e artists followed for decades. His innovations extended to format: he pioneered the use of diptych, triptych and polyptych arrangements that allowed more complex narrative compositions than the single sheet could hold.
As demand surged, Toyokuni's studio expanded until his personal involvement in each print became nominal. The quality of his later work declined, but the school he built survived him. His two most gifted pupils, Kunisada and Kuniyoshi, became major figures in their own right, and the Utagawa school dominated ukiyo-e production through the final decades of the Edo period. He died in 1825.
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