Collection
Thomas Gainsborough
Explore curated art prints selected for distinctive homes and considered interiors.
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Portrait of John Hobart, 2nd Earl of Buckinghamshire - Thomas GainsboroughPrint
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The Woodsman - Thomas GainsboroughPrint
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Isabella, Viscountess Molyneux - Thomas GainsboroughPrint
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The Linley Sisters (Mrs. Sheridan and Mrs. Tickell) - Thomas GainsboroughPrint · Framed
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Wooded Landscape with Cattle by a Pool and a Cottage at Evening - Thomas GainsboroughPrint · Framed
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Wooded Landscape with Travellers - Thomas GainsboroughPrint · Framed
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Wooded Landscape with a Horse and Cart by a Cottage - Thomas GainsboroughPrint · Framed
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Wooded Landscape with Herdsmen Driving Cattle - Thomas GainsboroughPrint · Framed
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Queen Charlotte - Thomas GainsboroughPrint · Framed
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Scene with a Road Winding through a Wood - Thomas GainsboroughPrint · Framed
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Portrait of George Pitt, First Baron Rivers - Thomas GainsboroughPrint · Framed
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Wooded Landscape with Cows beside a Pool, Figures and Cottage - Thomas GainsboroughPrint · Framed
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Landscape with Two Cows - Thomas GainsboroughPrint · Framed
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Wooded Landscape with Sheep - Thomas GainsboroughPrint · Framed
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Wooded Upland Landscape with Mounted Figures and Cottage - Thomas GainsboroughPrint · Framed
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Wooded Landscape with Rustic Lovers, Packhorses and Windmill - Thomas GainsboroughPrint · Framed
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Portrait of a Seated Lady - Thomas GainsboroughPrint · Framed · Canvas
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Miss Charlotte Collot - Thomas GainsboroughPrint · Framed · Canvas
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Early Evening: Landscape with Figures and Cattle - Thomas GainsboroughPrint · Framed · Canvas
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Wooded Landscape with Horseman - Thomas GainsboroughPrint · Framed · Canvas
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Sir Benjamin Thompson, later Count Rumford - Thomas GainsboroughPrint
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A Boy with a Cat—Morning - Thomas GainsboroughPrint
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Mrs. Grace Dalrymple Elliott - Thomas GainsboroughPrint
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Cottage Children (The Wood Gatherers) - Thomas GainsboroughPrint
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Artist Biography
Thomas Gainsborough
Gainsborough composed landscape scenes by building tabletop models from broccoli and cauliflower for trees, lumps of coal for hills, and mirrors for water. He painted from these arrangements in his studio. He said he was sick of portraits and wished he could walk off with his viol-da-gamba to paint landscapes. Portraits paid the bills. Landscapes were what he loved.
He was born in Sudbury, Suffolk, in 1727. His father went bankrupt in 1733. He moved to London as a teenager and trained under the French engraver Hubert-Francois Gravelot. By his thirties he was one of the two dominant portrait painters in Georgian England, the other being Joshua Reynolds. The rivalry with Reynolds defined both their careers.
The Blue Boy is probably his most famous painting, though he would have preferred to be remembered for his landscapes. On his deathbed he reconciled with Reynolds. Reynolds later wrote that the Royal Academy had lost one of its greatest ornaments. Gainsborough died in 1788, aged sixty-one.
He was born in Sudbury, Suffolk, in 1727. His father went bankrupt in 1733. He moved to London as a teenager and trained under the French engraver Hubert-Francois Gravelot. By his thirties he was one of the two dominant portrait painters in Georgian England, the other being Joshua Reynolds. The rivalry with Reynolds defined both their careers.
The Blue Boy is probably his most famous painting, though he would have preferred to be remembered for his landscapes. On his deathbed he reconciled with Reynolds. Reynolds later wrote that the Royal Academy had lost one of its greatest ornaments. Gainsborough died in 1788, aged sixty-one.
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