Collection
Max Beckmann
Explore curated art prints selected for distinctive homes and considered interiors.
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The Little Fish - Max BeckmannPrint
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The Night - Max BeckmannPrint
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The Duchess: Second Illustration for Chapter One - Max BeckmannPrint · Framed
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The Duchess: Illustration for Chapter Three - Max BeckmannPrint · Framed
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The Duchess: Illustration for Chapter Five - Max BeckmannPrint · Framed
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The Duchess: Illustration for Chapter Two - Max BeckmannPrint · Framed
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Frontal Self Portrait with House Gable in Background - Max BeckmannPrint · Framed
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Wrestlers - Max BeckmannPrint · Framed
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The Duchess: First Illustration for Chapter One - Max BeckmannPrint · Framed
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The Duchess: Illustration for Chapter Four - Max BeckmannPrint · Framed
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Meeting of the Forest Owners - Max BeckmannPrint · Framed
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The Tightrope Walkers - Max BeckmannPrint · Framed
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Evening Party (Tischgesellschaft) - Max BeckmannPrint · Framed
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Sleeping Girl in Grain Field - Max BeckmannPrint · Framed
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Souvenir of Chicago - Max BeckmannPrint · Framed
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Adam and Eve - Max BeckmannPrint · Framed
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The Prisoners Bathing - Max BeckmannPrint · Framed
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Portrait of Zeretelli - Max BeckmannPrint · Framed
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Crucifixion (Illustration for The Convicts' Bath) - Max BeckmannPrint · Framed
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The Curtain Rises - Max BeckmannPrint · Framed
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Crawling Woman - Max BeckmannPrint · Framed
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The Man, Plate 6 of 'Annual Fair' - Max BeckmannPrint · Framed · Canvas
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Day and Dream - Max BeckmannPrint
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The Embrace - Max BeckmannPrint · Framed · Canvas
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Artist Biography
Max Beckmann
Beckmann was dismissed from his teaching post in Frankfurt the day after Hitler's 1937 speech denouncing "degenerate art". He left Germany that same evening and did not return. The speed of the departure, one speech, one night, one exile, defined the rest of his life.
He was born in Leipzig in 1884 and trained at the Weimar Academy. His early work was relatively conventional; the First World War, where he served as a medical orderly, shattered both his style and his psychology. The paintings that followed, dense, allegorical, packed with symbolic figures in compressed, claustrophobic spaces, resist easy classification. His monumental triptychs, painted in exile in Amsterdam and later St Louis, combine mythology, autobiography and contemporary history.
He remains one of the twentieth century's most ambitious figurative painters, comparable in scale and intention to Picasso but less interested in formal innovation than in moral weight. He died in New York in 1950, at sixty-five.
He was born in Leipzig in 1884 and trained at the Weimar Academy. His early work was relatively conventional; the First World War, where he served as a medical orderly, shattered both his style and his psychology. The paintings that followed, dense, allegorical, packed with symbolic figures in compressed, claustrophobic spaces, resist easy classification. His monumental triptychs, painted in exile in Amsterdam and later St Louis, combine mythology, autobiography and contemporary history.
He remains one of the twentieth century's most ambitious figurative painters, comparable in scale and intention to Picasso but less interested in formal innovation than in moral weight. He died in New York in 1950, at sixty-five.
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