Collection
Ford Madox Brown
Explore curated art prints selected for distinctive homes and considered interiors.
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Work - Ford Madox BrownPrint
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Mary Magdalene at the Door of Simon the Pharisee - Ford Madox BrownPrint · Framed · Canvas
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Found - Ford Madox BrownPrint · Framed · Canvas
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A Musical Party - Ford Madox BrownPrint · Framed · Canvas
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Cordelia Parting from her Sisters - Ford Madox BrownPrint
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Self-Portrait - Ford Madox BrownPrint
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The Death of Sir Tristan, from 'The Story of Tristan and Isolde' - Ford Madox BrownPrint
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Jesus Washing Peter's Feet - Ford Madox BrownPrint
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Head of a Page Boy - Ford Madox BrownPrint
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The Romans Building a Fort at Mancenion - Ford Madox BrownPrint
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May Memories - Ford Madox BrownPrint
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The Opening of the Bridgewater Canal, A.D. 1761 - Ford Madox BrownPrint
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Bradshaw's Defence of Manchester, A.D. 1642 - Ford Madox BrownPrint
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Take your Son, Sir - Ford Madox BrownPrint
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The Proclamation Regarding Weights and Measures, A.D. 1556 - Ford Madox BrownPrint
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Manfred on the Jungfrau - Ford Madox BrownPrint
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The Expulsion of the Danes from Manchester - Ford Madox BrownPrint
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John Kay, Inventor of the Fly Shuttle - Ford Madox BrownPrint
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Chetham's Life Dream - Ford Madox BrownPrint
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The Last of England - Ford Madox BrownPrint
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Romeo and Juliet - Ford Madox BrownPrint
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Henry Fawcett; Dame Millicent Garrett Fawcett - Ford Madox BrownPrint
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Jacob and Joseph's Coat - Ford Madox BrownPrint
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The Seeds and Fruit of English Poetry - Ford Madox BrownPrint
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Artist Biography
Ford Madox Brown
Brown spent thirteen years on a single painting. Work (1852 to 1865) attempted to catalogue the entire social structure of Victorian England in one canvas: navvies digging, gentlemen watching, a flower seller, a street preacher, intellectuals (Thomas Carlyle and F.D. Maurice are identifiable), and layers of commentary on who labours and who benefits.
He was born in Calais in 1821, trained across Europe, and settled in London. Though never an official member of the Pre-Raphaelite Brotherhood, he was their most important older ally and the teacher who most shaped their ambitions. His insistence on painting outdoors in natural light, often to the point of physical discomfort, and his dense, moralising compositions made him a bridge between the Nazarenes he had studied with in Rome and the young English radicals who followed.
He also designed stained glass and furniture for Morris and Co. He died in 1893, at seventy-two.
He was born in Calais in 1821, trained across Europe, and settled in London. Though never an official member of the Pre-Raphaelite Brotherhood, he was their most important older ally and the teacher who most shaped their ambitions. His insistence on painting outdoors in natural light, often to the point of physical discomfort, and his dense, moralising compositions made him a bridge between the Nazarenes he had studied with in Rome and the young English radicals who followed.
He also designed stained glass and furniture for Morris and Co. He died in 1893, at seventy-two.
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