Women and Birds at Sunrise - Joan Miró
Giclée de archivo
Los marcos vienen listos para colgar
Pago seguro
Hecho bajo pedido
Descripción
A classic 1946 surrealist composition by Joan Miró, featuring his signature use of primary colours, calligraphic lines, and symbolic, floating forms.
Joan Miró created Women and Birds at Sunrise in 1946, a period when his visual language had matured into a highly personal system of signs and symbols. The composition features a pale, ethereal blue background that suggests an expansive sky or a void, against which floating forms are arranged with deliberate precision. Miró employs a restricted palette of primary colours, specifically red, yellow, and blue, alongside black lines that define the boundaries of his figures.
The figures themselves are reduced to essential shapes: circles, triangles, and fluid, calligraphic lines that suggest the presence of women and birds without resorting to literal representation. A large, circular red form occupies the upper right, acting as the titular sunrise. Below it, the central cluster of shapes balances geometric rigidity with organic, curving lines. The eye is drawn to the concentric circles that function as eyes or celestial bodies, a recurring motif in the artist's work from this decade.
Miró often described his process as one of poetic construction, where he allowed forms to emerge from the canvas rather than imposing a pre-planned structure. This work demonstrates his ability to maintain a sense of equilibrium within an asymmetrical arrangement. The thin, black lines act as a connective tissue, linking the disparate elements into a cohesive whole. By stripping away unnecessary detail, Miró invites the viewer to engage with the rhythm of the shapes and the spatial relationships between them. The work avoids traditional perspective, opting instead for a flat, graphic quality that aligns with his interest in the primitive and the childlike. It remains a clear example of his mid-career style, where he successfully synthesised his earlier surrealist experiments into a refined, iconic aesthetic.
You might also like
Política de devoluciones
Debido a que cada impresión se realiza bajo pedido, no ofrecemos devoluciones, reembolsos ni cambios por cambio de opinión. Si su pedido llega defectuoso, dañado o incorrecto, lo reemplazaremos sin cargo alguno; solo contáctenos dentro de las 48 horas posteriores a la entrega. Consulte nuestra página de reembolsos para obtener todos los detalles.
Envío
Realizamos envíos a todo el mundo, imprimiendo en el centro de producción más cercano a su dirección de entrega. Los plazos y costes de envío varían según el destino; verá las opciones disponibles para usted al finalizar la compra.
Fabricación
Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
Cuidado y materiales
Características específicas
Cada pieza de Solis se fabrica bajo pedido con materiales de calidad de archivo y de galería, diseñados para durar.
- Impresión giclée de calidad de museo para colores intensos y resistentes a la decoloración
- Papel artístico mate de calidad de archivo, con certificación FSC
- Múltiples tamaños y opciones de enmarcado disponibles
- Marcos en negro, madera natural, madera oscura o blanco
- Las impresiones enmarcadas llegan listas para colgar
Cuidado y limpieza
Para mantener su obra de arte en las mejores condiciones:
- Quite el polvo suavemente con un paño suave y seco
- Evite la luz solar directa prolongada
- Nunca utilice limpiadores líquidos sobre la superficie de la impresión o el lienzo
- Manténgala en un lugar seco y a temperatura ambiente
- Manipule las impresiones con las manos limpias y secas
Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
- Tamaños de papel: A4, A3, A2, A1, A0 y B2 (50×70 cm)
- Lienzo: XS (20×30 cm) a grande (60×90 cm)
- Marcos: negro, madera natural, madera oscura o blanco
Women and Birds at Sunrise - Joan Miró
Artist Biography
Joan Miro
He grew up in Barcelona, the son of a goldsmith and watchmaker. He studied at the Escola de Belles Arts and at Francesc Gali's art school, where Gali made students draw objects by touch, blindfolded, to develop their sense of form. Miro went to Paris in 1920 and fell in with the Surrealists. Andre Breton called him 'the most Surrealist of us all', which was a compliment. Miro's paintings from this period look like dreams transcribed by someone who has never seen a dream depicted before: biomorphic shapes, stars, eyes, birds, and moons floating on flat fields of colour.
The Constellations series, twenty-three small gouaches painted during the Second World War, are his masterwork. He started them in Normandy as the German army advanced, continued in Palma de Mallorca after fleeing, and finished them in Barcelona. Each one is dense with interlocking forms connected by fine black lines, like a musical score or a star chart.
His late work includes monumental ceramics, tapestries, and public sculptures. The Barcelona airport has a floor mosaic. The Joan Miro Foundation on Montjuic, designed by his friend Josep Lluis Sert, opened in 1975. He burned canvases, stabbed them, walked on them. He was eighty-five and still trying to murder painting.
¿Por qué elegirnos?
Garantía de entrega sin daños
Envío rápido
Materiales de calidad de museo
También te puede interesar