Woman in Front of the Sun - Joan Miró
Giclée de archivo
Los marcos vienen listos para colgar
Pago seguro
Hecho bajo pedido
Descripción
A classic 1950 Surrealist work by Joan Miró, featuring a simplified, symbolic figure set against a bold blue field with celestial motifs.
Joan Miró created Woman in Front of the Sun in 1950, a period when his visual language had matured into a highly personal system of signs and symbols. The composition features a central figure, rendered with minimal, gestural lines that suggest a human form while remaining firmly within the realm of abstraction. The figure is anchored by a dark, vertical torso, topped with a singular, eye-like head that dominates the upper portion of the canvas.
The background is a flat, expansive field of blue, which provides a stark contrast to the primary colours used for the celestial elements. To the left, a large, solid red disc represents the sun, while star-like shapes are scattered across the field. These linear, radiating marks are characteristic of Miró's work during this decade, functioning as shorthand for the cosmos. The artist employs a limited palette, relying on the tension between the deep blue ground and the bold red and yellow accents to create visual interest.
Miró often sought to strip away the unnecessary, focusing on the essential nature of his subjects. This work avoids traditional perspective, opting instead for a graphic, two-dimensional arrangement that prioritises the relationship between shapes and lines. The figure appears to float within this space, untethered from any specific environment. By reducing the human form to a series of curves and geometric markers, Miró invites the viewer to engage with the image as a poetic construction rather than a literal representation. The work reflects his interest in the subconscious and the primitive, qualities that defined his contribution to twentieth-century art. The simplicity of the execution belies the careful balance of the composition, where every element occupies a precise position to maintain the equilibrium of the whole.
You might also like
Política de devoluciones
Debido a que cada impresión se realiza bajo pedido, no ofrecemos devoluciones, reembolsos ni cambios por cambio de opinión. Si su pedido llega defectuoso, dañado o incorrecto, lo reemplazaremos sin cargo alguno; solo contáctenos dentro de las 48 horas posteriores a la entrega. Consulte nuestra página de reembolsos para obtener todos los detalles.
Envío
Realizamos envíos a todo el mundo, imprimiendo en el centro de producción más cercano a su dirección de entrega. Los plazos y costes de envío varían según el destino; verá las opciones disponibles para usted al finalizar la compra.
Fabricación
Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
Cuidado y materiales
Características específicas
Cada pieza de Solis se fabrica bajo pedido con materiales de calidad de archivo y de galería, diseñados para durar.
- Impresión giclée de calidad de museo para colores intensos y resistentes a la decoloración
- Papel artístico mate de calidad de archivo, con certificación FSC
- Múltiples tamaños y opciones de enmarcado disponibles
- Marcos en negro, madera natural, madera oscura o blanco
- Las impresiones enmarcadas llegan listas para colgar
Cuidado y limpieza
Para mantener su obra de arte en las mejores condiciones:
- Quite el polvo suavemente con un paño suave y seco
- Evite la luz solar directa prolongada
- Nunca utilice limpiadores líquidos sobre la superficie de la impresión o el lienzo
- Manténgala en un lugar seco y a temperatura ambiente
- Manipule las impresiones con las manos limpias y secas
Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
- Tamaños de papel: A4, A3, A2, A1, A0 y B2 (50×70 cm)
- Lienzo: XS (20×30 cm) a grande (60×90 cm)
- Marcos: negro, madera natural, madera oscura o blanco
Woman in Front of the Sun - Joan Miró
Artist Biography
Joan Miro
He grew up in Barcelona, the son of a goldsmith and watchmaker. He studied at the Escola de Belles Arts and at Francesc Gali's art school, where Gali made students draw objects by touch, blindfolded, to develop their sense of form. Miro went to Paris in 1920 and fell in with the Surrealists. Andre Breton called him 'the most Surrealist of us all', which was a compliment. Miro's paintings from this period look like dreams transcribed by someone who has never seen a dream depicted before: biomorphic shapes, stars, eyes, birds, and moons floating on flat fields of colour.
The Constellations series, twenty-three small gouaches painted during the Second World War, are his masterwork. He started them in Normandy as the German army advanced, continued in Palma de Mallorca after fleeing, and finished them in Barcelona. Each one is dense with interlocking forms connected by fine black lines, like a musical score or a star chart.
His late work includes monumental ceramics, tapestries, and public sculptures. The Barcelona airport has a floor mosaic. The Joan Miro Foundation on Montjuic, designed by his friend Josep Lluis Sert, opened in 1975. He burned canvases, stabbed them, walked on them. He was eighty-five and still trying to murder painting.
¿Por qué elegirnos?
Garantía de entrega sin daños
Envío rápido
Materiales de calidad de museo
También te puede interesar

