Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Giclée de archivo
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Pago seguro
Hecho bajo pedido
A detailed sixteenth-century engraving by Philips Galle, after a design by Maerten van Heemskerck, depicting the biblical return of the prodigal son.
This engraving depicts the biblical parable of the prodigal son, a narrative concerning forgiveness and familial reconciliation. The composition follows a design by Maerten van Heemskerck, a prominent Dutch painter of the sixteenth century. In the foreground, the father embraces his kneeling son, who appears dishevelled and weary from his travels. The figures are rendered with anatomical precision, typical of the period's interest in classical form and human expression.
To the right, secondary figures attend to the son, providing new garments and footwear, which signifies his restoration to the household. The background features architectural elements, including a classical portico and a distant archway, which provide a sense of spatial depth. These structures reflect the influence of Italian Renaissance architecture on Northern European artists of the era. The scene is framed by a gnarled tree on the left, which adds a naturalistic element to the otherwise structured environment.
Below the image, a Latin inscription reads: Tandem poenitentia motus patrem adit, ab eoq in gratiam receptus est. This translates to: Moved at last by repentance, he approaches his father and is received by him into favour. The engraving technique employs fine lines to create texture and shadow, particularly in the drapery of the garments and the musculature of the figures. The work demonstrates the technical skill of Philips Galle, who was a prolific engraver and publisher in Antwerp. His collaboration with designers like Heemskerck allowed for the dissemination of complex religious and moral narratives to a wider audience through print media. This piece remains a clear example of the printmaking traditions that flourished in the Low Countries during the sixteenth century, combining religious subject matter with the stylistic developments of the Northern Renaissance.
Debido a que cada impresión se realiza bajo pedido, no ofrecemos devoluciones, reembolsos ni cambios por cambio de opinión. Si su pedido llega defectuoso, dañado o incorrecto, lo reemplazaremos sin cargo alguno; solo contáctenos dentro de las 48 horas posteriores a la entrega. Consulte nuestra página de reembolsos para obtener todos los detalles.
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Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
Características específicas
Cada pieza de Solis se fabrica bajo pedido con materiales de calidad de archivo y de galería, diseñados para durar.
Cuidado y limpieza
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Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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