Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Giclée de archivo
Los marcos vienen listos para colgar
Pago seguro
Hecho bajo pedido
A detailed Renaissance engraving by Giulio Bonasone depicting the Resurrection of Christ with dramatic lighting and anatomical precision.
Giulio Bonasone, an Italian engraver and painter active in Bologna and Rome, produced this engraving during the mid-sixteenth century. The work depicts the biblical scene of the Resurrection, with Christ ascending above the tomb while Roman soldiers react in shock and confusion. Bonasone demonstrates his technical proficiency through the use of varied line weights and cross-hatching to define the muscular anatomy of the figures and the dramatic light emanating from the central figure.
The composition is divided into two distinct zones. The upper portion focuses on the ethereal, weightless form of Christ, who holds a banner aloft. His body is rendered with the anatomical precision characteristic of the period, reflecting the influence of Michelangelo and other masters of the Italian Renaissance. Below, the soldiers are arranged in a chaotic, earthly response to the divine event. Their poses are dynamic, with some shielding their eyes from the blinding light and others recoiling in fear. The ground is suggested with short, directional strokes that provide a sense of texture to the rocky terrain.
Bonasone was known for his ability to translate the works of other painters into print, yet he also created original compositions. This engraving shows his command of the burin, allowing for subtle gradations of tone that suggest the brilliance of the light against the darkness of the surrounding scene. The print captures the dramatic tension of the narrative, focusing on the contrast between the calm, triumphant figure of Christ and the disarray of the guards. As a piece of Renaissance printmaking, it offers a clear view into the stylistic priorities of the era, where human form and dramatic lighting were central to the visual storytelling of religious subjects. This museum-grade reproduction preserves the fine detail of the original copperplate engraving, ensuring the clarity of the lines and the depth of the shadows are maintained.
Debido a que cada impresión se realiza bajo pedido, no ofrecemos devoluciones, reembolsos ni cambios por cambio de opinión. Si su pedido llega defectuoso, dañado o incorrecto, lo reemplazaremos sin cargo alguno; solo contáctenos dentro de las 48 horas posteriores a la entrega. Consulte nuestra página de reembolsos para obtener todos los detalles.
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Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
Características específicas
Cada pieza de Solis se fabrica bajo pedido con materiales de calidad de archivo y de galería, diseñados para durar.
Cuidado y limpieza
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Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Materiales de calidad de museo
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