Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
The Prisoners Bathing - Max Beckmann
Precio habitual
£28.00 GBP
Precio de oferta
£28.00 GBP
Precio habitual
Giclée de archivo
Los marcos vienen listos para colgar
Pago seguro
Hecho bajo pedido
Descripción
A powerful 1913 lithograph by Max Beckmann, illustrating a scene from Dostoyevsky's The Convicts' Bath with raw, expressive mark-making.
This lithograph by Max Beckmann, created in 1913, serves as an illustration for Fyodor Dostoyevsky's text, The Convicts' Bath. The work captures a scene of confinement, rendered with the heavy, gestural mark-making characteristic of Beckmann's early graphic output. The figures are compressed into a dense, claustrophobic space, their forms emerging from deep shadows through aggressive, dark strokes.
Beckmann employs a stark contrast between the pale, exposed skin of the prisoners and the surrounding darkness. The composition avoids traditional perspective, opting instead for a crowded, chaotic arrangement that conveys the psychological weight of the narrative. The figures appear distorted, their limbs and facial features suggested rather than defined, which heightens the sense of unease and physical vulnerability.
This piece was published in the journal Kunst und Künstler, a periodical that documented the artistic climate of early twentieth-century Germany. The lithograph reflects the artist's interest in human suffering and the darker aspects of the human condition, themes that would continue to occupy his work throughout his career. The raw, unrefined quality of the lines demonstrates Beckmann's rejection of academic polish in favour of direct, emotive expression. By focusing on the physical reality of the bathhouse, the artist forces the viewer to confront the stark existence of the subjects. The work remains a significant example of how graphic media allowed artists of the period to engage with literary sources while maintaining a distinct, personal visual language.
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Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
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- Impresión giclée de calidad de museo para colores intensos y resistentes a la decoloración
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- Marcos en negro, madera natural, madera oscura o blanco
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Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
- Tamaños de papel: A4, A3, A2, A1, A0 y B2 (50×70 cm)
- Lienzo: XS (20×30 cm) a grande (60×90 cm)
- Marcos: negro, madera natural, madera oscura o blanco
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The Prisoners Bathing - Max Beckmann
Precio habitual
Desde £28.00 GBP
Precio de oferta
Desde £28.00 GBP
Precio habitual
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Max Beckmann
Beckmann was dismissed from his teaching post in Frankfurt the day after Hitler's 1937 speech denouncing "degenerate art". He left Germany that same evening and did not return. The speed of the departure, one speech, one night, one exile, defined the rest of his life.
He was born in Leipzig in 1884 and trained at the Weimar Academy. His early work was relatively conventional; the First World War, where he served as a medical orderly, shattered both his style and his psychology. The paintings that followed, dense, allegorical, packed with symbolic figures in compressed, claustrophobic spaces, resist easy classification. His monumental triptychs, painted in exile in Amsterdam and later St Louis, combine mythology, autobiography and contemporary history.
He remains one of the twentieth century's most ambitious figurative painters, comparable in scale and intention to Picasso but less interested in formal innovation than in moral weight. He died in New York in 1950, at sixty-five.
He was born in Leipzig in 1884 and trained at the Weimar Academy. His early work was relatively conventional; the First World War, where he served as a medical orderly, shattered both his style and his psychology. The paintings that followed, dense, allegorical, packed with symbolic figures in compressed, claustrophobic spaces, resist easy classification. His monumental triptychs, painted in exile in Amsterdam and later St Louis, combine mythology, autobiography and contemporary history.
He remains one of the twentieth century's most ambitious figurative painters, comparable in scale and intention to Picasso but less interested in formal innovation than in moral weight. He died in New York in 1950, at sixty-five.
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Fine Art Framed
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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