The Miraculous Draught of Fishes (cartoon for the Sistine Chapel) - Raphael
Giclée de archivo
Los marcos vienen listos para colgar
Pago seguro
Hecho bajo pedido
Descripción
A study for the Sistine Chapel tapestries, this work depicts the biblical miraculous catch of fish with the characteristic balance and form of the High Renaissance.
This work is one of the seven surviving cartoons commissioned by Pope Leo X for the Sistine Chapel tapestries. Raphael designed these large-scale compositions to be sent to the workshop of Pieter van Aelst in Brussels, where weavers translated the designs into wool and silk. The scene depicts the biblical account of the miraculous catch of fish, an event that led Peter, James, and John to follow Christ.
Raphael organises the composition with a clear focus on the narrative action. The figures are arranged across two small boats, which appear precariously laden with the weight of the catch. The artist employs a balanced distribution of weight and gesture to convey the physical strain of the fishermen alongside their spiritual awe. Christ sits at the right, his calm posture contrasting with the dynamic movement of the disciples. The inclusion of the cranes in the foreground serves to ground the scene in a naturalistic setting, while the distant town and rolling hills provide a sense of scale.
Technically, the cartoon demonstrates the mastery of form and expression characteristic of the High Renaissance. The figures possess a sculptural quality, with drapery folds that define their movement and emotional state. The use of gouache on paper allowed Raphael to achieve a range of tones and textures, which the weavers then sought to replicate in the final textile medium. These cartoons are now held in the Victoria and Albert Museum in London, on loan from the Royal Collection. They remain essential documents for understanding the collaborative process between Italian painters and Northern European weavers during the early sixteenth century.
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Fabricación
Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
Cuidado y materiales
Características específicas
Cada pieza de Solis se fabrica bajo pedido con materiales de calidad de archivo y de galería, diseñados para durar.
- Impresión giclée de calidad de museo para colores intensos y resistentes a la decoloración
- Papel artístico mate de calidad de archivo, con certificación FSC
- Múltiples tamaños y opciones de enmarcado disponibles
- Marcos en negro, madera natural, madera oscura o blanco
- Las impresiones enmarcadas llegan listas para colgar
Cuidado y limpieza
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- Quite el polvo suavemente con un paño suave y seco
- Evite la luz solar directa prolongada
- Nunca utilice limpiadores líquidos sobre la superficie de la impresión o el lienzo
- Manténgala en un lugar seco y a temperatura ambiente
- Manipule las impresiones con las manos limpias y secas
Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
- Tamaños de papel: A4, A3, A2, A1, A0 y B2 (50×70 cm)
- Lienzo: XS (20×30 cm) a grande (60×90 cm)
- Marcos: negro, madera natural, madera oscura o blanco
The Miraculous Draught of Fishes (cartoon for the Sistine Chapel) - Raphael
Artist Biography
Raphael
He was born in Urbino, the son of a painter. His father died when he was eleven, and by his teens he was already working in the studio of Perugino, whose smooth, symmetrical compositions gave Raphael his starting point. He surpassed Perugino quickly. He studied Leonardo's sfumato and Michelangelo's anatomical intensity and absorbed both without losing his own clarity. The Madonnas from his Florentine period (the Madonna of the Goldfinch, the Sistine Madonna) have a serene perfection that has been imitated for five hundred years and never matched.
Pope Julius II summoned him to Rome in 1508, the same year he commissioned Michelangelo for the Sistine ceiling. Raphael painted the Stanze della Segnatura: four rooms in the Vatican whose frescoes include The School of Athens, the single most famous image of classical philosophy. Plato and Aristotle walk through an ideal architecture surrounded by every major thinker of the ancient world. Raphael painted Michelangelo into the scene as Heraclitus, brooding alone on the steps. Michelangelo was furious.
He ran a large workshop that produced portraits, altarpieces, tapestry designs, and architectural plans. He was appointed architect of St Peter's Basilica. He was charming, diplomatic, and universally liked, which made Michelangelo dislike him even more.
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