Fine Art Poster
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A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
The Alba Madonna - Raphael
Precio habitual
£37.00 GBP
Precio de oferta
£37.00 GBP
Precio habitual
Giclée de archivo
Los marcos vienen listos para colgar
Pago seguro
Hecho bajo pedido
Descripción
A circular High Renaissance masterpiece by Raphael, depicting the Virgin Mary with the infant Christ and John the Baptist in a serene, balanced composition.
The Alba Madonna is a circular painting, or tondo, produced by Raphael during his Roman period. It depicts the Virgin Mary seated in a rural setting, accompanied by the infant Christ and the young John the Baptist. The composition is organised around a complex, interlocking arrangement of the three figures, which creates a sense of unity and balance. The Virgin Mary holds a book in her left hand, while her right arm reaches towards the infant Christ. The child reaches for a cross held by John the Baptist, a gesture that prefigures the future passion of Christ.
Raphael employs a soft, sfumato technique to model the figures, allowing for smooth transitions between light and shadow. This approach gives the skin tones a naturalistic quality. The drapery of the Virgin's robes, rendered in deep blue and rose, provides a contrast to the pale flesh of the children. The background features a serene, open view of the Italian countryside, with distant hills and a river, which adds depth to the scene. The circular format of the panel requires a careful distribution of weight and form, which Raphael achieves by curving the bodies of the figures to follow the perimeter of the frame.
This work demonstrates the artist's mastery of classical proportion and human expression. The gazes of the figures are directed towards one another, creating an internal narrative that draws the viewer into their quiet interaction. The painting was originally commissioned for the church of San Domenico in Nocera de' Pagani. It later became part of the collection of the Dukes of Alba in Spain, from which it derives its common name. The work is now housed in the National Gallery of Art in Washington, D.C., where it remains a representative example of the technical precision and aesthetic harmony associated with the High Renaissance.
Política de devoluciones
Debido a que cada impresión se realiza bajo pedido, no ofrecemos devoluciones, reembolsos ni cambios por cambio de opinión. Si su pedido llega defectuoso, dañado o incorrecto, lo reemplazaremos sin cargo alguno; solo contáctenos dentro de las 48 horas posteriores a la entrega. Consulte nuestra página de reembolsos para obtener todos los detalles.
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Fabricación
Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
Cuidado y materiales
Características específicas
Cada pieza de Solis se fabrica bajo pedido con materiales de calidad de archivo y de galería, diseñados para durar.
- Impresión giclée de calidad de museo para colores intensos y resistentes a la decoloración
- Papel artístico mate de calidad de archivo, con certificación FSC
- Múltiples tamaños y opciones de enmarcado disponibles
- Marcos en negro, madera natural, madera oscura o blanco
- Las impresiones enmarcadas llegan listas para colgar
Cuidado y limpieza
Para mantener su obra de arte en las mejores condiciones:
- Quite el polvo suavemente con un paño suave y seco
- Evite la luz solar directa prolongada
- Nunca utilice limpiadores líquidos sobre la superficie de la impresión o el lienzo
- Manténgala en un lugar seco y a temperatura ambiente
- Manipule las impresiones con las manos limpias y secas
Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
- Tamaños de papel: A4, A3, A2, A1, A0 y B2 (50×70 cm)
- Lienzo: XS (20×30 cm) a grande (60×90 cm)
- Marcos: negro, madera natural, madera oscura o blanco
Completa el look
The Alba Madonna - Raphael
Precio habitual
Desde £37.00 GBP
Precio de oferta
Desde £37.00 GBP
Precio habitual
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Raphael
Raphael died on his birthday, at thirty-seven. Good Friday, 6 April 1520. He had been working himself to exhaustion on simultaneous commissions for the Pope, the Vatican, and half the Roman aristocracy. The fever that killed him may have been made worse by the bloodletting his doctors prescribed. He was the most famous artist in Europe. His funeral procession passed through streets lined with mourners and his unfinished painting, The Transfiguration, was placed at the head of his bier.
He was born in Urbino, the son of a painter. His father died when he was eleven, and by his teens he was already working in the studio of Perugino, whose smooth, symmetrical compositions gave Raphael his starting point. He surpassed Perugino quickly. He studied Leonardo's sfumato and Michelangelo's anatomical intensity and absorbed both without losing his own clarity. The Madonnas from his Florentine period (the Madonna of the Goldfinch, the Sistine Madonna) have a serene perfection that has been imitated for five hundred years and never matched.
Pope Julius II summoned him to Rome in 1508, the same year he commissioned Michelangelo for the Sistine ceiling. Raphael painted the Stanze della Segnatura: four rooms in the Vatican whose frescoes include The School of Athens, the single most famous image of classical philosophy. Plato and Aristotle walk through an ideal architecture surrounded by every major thinker of the ancient world. Raphael painted Michelangelo into the scene as Heraclitus, brooding alone on the steps. Michelangelo was furious.
He ran a large workshop that produced portraits, altarpieces, tapestry designs, and architectural plans. He was appointed architect of St Peter's Basilica. He was charming, diplomatic, and universally liked, which made Michelangelo dislike him even more.
He was born in Urbino, the son of a painter. His father died when he was eleven, and by his teens he was already working in the studio of Perugino, whose smooth, symmetrical compositions gave Raphael his starting point. He surpassed Perugino quickly. He studied Leonardo's sfumato and Michelangelo's anatomical intensity and absorbed both without losing his own clarity. The Madonnas from his Florentine period (the Madonna of the Goldfinch, the Sistine Madonna) have a serene perfection that has been imitated for five hundred years and never matched.
Pope Julius II summoned him to Rome in 1508, the same year he commissioned Michelangelo for the Sistine ceiling. Raphael painted the Stanze della Segnatura: four rooms in the Vatican whose frescoes include The School of Athens, the single most famous image of classical philosophy. Plato and Aristotle walk through an ideal architecture surrounded by every major thinker of the ancient world. Raphael painted Michelangelo into the scene as Heraclitus, brooding alone on the steps. Michelangelo was furious.
He ran a large workshop that produced portraits, altarpieces, tapestry designs, and architectural plans. He was appointed architect of St Peter's Basilica. He was charming, diplomatic, and universally liked, which made Michelangelo dislike him even more.
Made to order
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Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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